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Steal Comedy Techniques, Not Jokes

Where are the fundamentals of comedy?

When I first got into teaching stand-up comedy, I quickly realized there were no organized fundamentals of comedy for teaching joke writing and being funny. Every other field had established fundamentals and even different schools of thought about them. For instance, sports, acting, cooking, writing, dancing, art, and music could be learned through mastering the fundamental skills of its corresponding field. Where were the fundamentals of comedy for joke writing and being funny in front of an audience? At the time, there were several books which offered some help. They gave advice or examples of what the author did to be funny, but nothing was presenting a clear unified series of the fundamentals for comedy. I wondered if they even existed.  Yet, I’d watch comedians get funnier year afte



3 Comedy Tips to Avoid Open Mic Hell

Go from a night of horror to just a nightmare.

Open mics are one the most important and distressing periods all fledgling comedians go through. It’s important because comedians need to learn to get over their fear of bombing, deal with the lights, handle being ignored, face abject failure, cope with their anger, all in the quest to learn to be funny. If that didn’t discourage you, this will. Open mics are equally distressing. The comics running them often don’t care about anything, but their own stage time. They’re held in loud bars with drunken hecklers or in empty coffee houses. The audience is usually other comics working on their material while waiting to go up. There’s no front row because the comics sit as far from the stage as they can. And the regular customers are having loud personal conversations without any regard for the performers. Yet, tho



2 Writing Tips to Make Any Show Funnier

WTF = Write The Funny

There are several writing tip professional comedians know that can punch up a show. They have certain cues within a show or script and are easy to implement. Wrting Tips 1: Use “K” Words The hard consonant sounds, especially “K,” which include hard “C” and “Qu” and, to a lesser extent, “T”, “P”, hard “G”, “D” and “B,” tend to be funnier. Using words with hard consonants, instead of synonyms with softer sounds can really improve a joke. Yes, I’m perfectly aware that this seems a little silly, but it happens to be true. Most comics who’ve been in the business long enough will tell you the same thing. “Words with a “K” in them are funny.” - Neil Simon For instance



Writing Comedy for Business Udemy Free Coupon

This course is a gift to my readers. Thank you.

Sorry this coupon has exprired. Look for other coupons online. Type into Google: Writng Comedy for Business Udemy Coupon. For many months I’ve been scripting, creating a workbook, shooting and editing video. Now I finally have my Udemy Online Joke Writing Course up and live. (Free Coupon Code at the end of article.) This course will literally teach you how to write jokes. Even if you’ve never written one before in your life. This is done with my Three Mechanisms of Laughter and my original joke writing system the Joke Prospector. And the best part is that it's Free. It’s easy and fun to do. All of your lessons can be practiced u



Ladder of Fuccess…Oops Success

Can you get to where you’re going?

We’ve all familiar with the saying, “Climbing the ladder of success.” But what if you have a ladder of failure? Or as I call it a “ladder of fuccess.” As a comedy teacher I’ve dealt with many dysfunctional ladders which didn’t fit the person’s ambitions of becoming a professional funny person. So here’s a chance for you to evaluate your ladder to determine if you’re climbing a ladder success or fuccess. Here are several kinds of ladders: Perfectionist Ladder This is a very tall ladder, but it only has two rungs. The top rung is perfection and the bottom rung is failure. Since you’ll never achieve perfection, you’ll always feel



WTF Are You Talking About?

Jokes without shared knowledge.

If the audience doesn't understand what you’re talking about, they won’t laugh. When a certain word or reference is crucial to the understanding of a joke, you must consider whether it’s familiar to your audience. Sometimes you’ll need to use a more familiar alternative. For example, take this classic Woody Allen joke about his rabbi: "He opened a discotheque with his colleagues. Topless rabbis. No skullcaps.” Woody Allen, of course, knew the little round caps Jewish men wear are called yarmulkes. But since he was also aware some people in his audience wouldn’t know that word. So, he uses the word “skullcap,” which is self-explanatory. If there’s a reference or information that’s crucial to your joke which is not in the common realm of knowledge and has no convenient alt



Laugh, Damn You, Laugh…

Or I’ll make this entire audience sorry.

You’re having a great show. There are screams of laughter and applause breaks. You’re crushing it.  But there’s that one friggin person who refuses to laugh or even smile. What do you do? I’ve seen way too many comedians make it their sole mission to make that one person laugh no matter the consequences. Their egos get caught up with breaking that one unresponsive audience member. They’ll stop doing their show and yell, blame, and even antagonize that person who won’t laugh. Soon the show stops being funny because the comedian has excluded the rest of the audience. In my opinion, this is just plain stupid. So, what’s a better choice?



3 Techniques to Triple Your Laughs

How to tag jokes and tag tags...

  Tagging jokes is the comedians’ term for adding another punch to an already successful punch, without a new setup. Getting two or more laughs from an initial setup increases the laughs per minute LPMs. Most comedians and speakers rarely push past the initial laugh. This leaves way too many laughs on the table. Tagging your jokes and tagging your tags is the road to comedy success. With one-liner jokes, 95 to 99% of the performing time is spent delivering the setups. This means 95 to 99% of the stage time is spent not being funny. But if you tag every one of the jokes and then tag those tags the audience spends 95% of their time laughing. If you think of setups as an investment with the laugh as your payoff, then by tagging every punch is like getting paid again and again for the same investment. How d



The 4th Season of Inside Comedy Set For May 5th

Where else can you get first-hand knowledge about being a comedian?

Conan O’Brien and Jon Stewart are also set to be profiled and interviewed on Inside Comedy. Already, host David Steinberg is setting to chat one-on-one with Stephen Colbert, Michael Keaton, and Dan Aykroyd about comedy in the 4th season of Showtime’s Inside Comedy. Inside Comedy Greg Dean's Stand Up Comedy Classes Los Angeles • Facebook • Twitter • Yel



How to Kill a Laugh – Part 2 (No Joke)

Is bad joke writing technique making you the air brakes of comedy?

In my previous blog, How to Kill a Laugh - Part 1, I defined the joke reveal and showed the importance of placing it at the end of every joke’s punch. In this blog, How to Kill a Laugh - Part 2, I’ll describe two ways punches get screw up and how to fix them. Unnecessary words are said after the joke reveal. Talking past the reveal is one of the most common and irritating errors. Two issues here: one, a nervous funny person adds mindless prattle beyond where the joke gets a laugh. Solution: Shut up when the audience is laughing. Second, the joke is badly written with superfluous words added past the punch’s reveal. Here’s an example written by a gay student,



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