The art of comedy Aikido.
In my previous blog, Handling Hecklers – Part 3, I discussed using heckler lines to get heckler to back down and shut up. In this blog, Handling Hecklers – Part 4, I offer several more tips for dealing with obnoxious morons.
Never Invite the Heckler on Stage
Guess why I know about this. When I was first beginning back in the mid-70's in San Francisco, I was working at a hole-in-the-wall club known as the Holy City Zoo. I was being heckled mercilessly when I lost my temper and said, “If you think you can do any better, then come up and try.” This one did. He pushed me out of the way and proceeded to tell one really funny joke. The guy running the open mike night came over, I thought to help me, but instead he told the heckler to get off stage, then turned on me and yelled, “There are t
Let’s play Audience Whack-a-Mole.
In my previous blog, Handling Hecklers – Part 2, I discussed keeping the proper state of mind when dealing with rude audience members. In this blog, Handling Hecklers – Part 3, I offer several hecklers lines to help purge the scourge.
Use Hecklers Lines
Heckler lines aren’t as easy to use as you might think. Just because you have a series of great insults memorized doesn’t mean that that’s all there is to handling hecklers. It’s a whole psychological game that you’ll need to learn. Be prepared with a variety of comebacks to fit the different kinds of heckles. You can write them yourself or get them from insult joke books.
“Out of millions of sperm, you were the quickest?”
Go from a night of horror to just a nightmare.
Open mics are one the most important and distressing periods all fledgling comedians go through. It’s important because comedians need to learn to get over their fear of bombing, deal with the lights, handle being ignored, face abject failure, cope with their anger, all in the quest to learn to be funny.
If that didn’t discourage you, this will. Open mics are equally distressing. The comics running them often don’t care about anything, but their own stage time. They’re held in loud bars with drunken hecklers or in empty coffee houses. The audience is usually other comics working on their material while waiting to go up. There’s no front row because the comics sit as far from the stage as they can. And the regular customers are having loud personal conversations without any regard for the performers.