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1st Story

Definition: 1. The scene imagined in audience's minds based upon receiving a joke's Setup. 2. One of the five joke structure mechanisms that connect Setup and Punchline. See Joke Prospector Writing System, joke writing, and joke structure.

Example Sentences: 1. The comedian's joke set-up was when he said, ‘I walked into a bar,’ the audience immediately pictured a dimly lit pub with a row of stools and a bartender cleaning glasses - that's the 1st story.. 2. 1st Story is one of the joke structure mechanisms taught in the Greg Dean Method.

Etymology: Joke Structure was developed and coined as a comedy term by Greg Dean.1st Story derives from the words first (Old English fyrst) meaning foremost or earliest and story (Latin "historia") for narrative or account.

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2nd Story

Definition: 1. The scene imagined in audience's minds based upon receiving a joke's Punchline. 2. One of the five joke structure mechanisms that connect Setup and Punchline. See joke structure, Joke Prospector Writing System, and joke writing.

Example Sentence: When I hear a comedian say a punchline, I imagine a scene or 2nd Story so it makes sense to me.

Etymology: 2nd: Derived from the Old English word “ōðer,” meaning “other” or “second.” Story: Comes from the Latin word “historia,” which means “narrative” or “account.”

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3 POVs

Definition: POVs (Points of View): Key elements in stand-up comedy storytelling, where the comedian adopts performance roles during his routine involving different perspectives. See Narrator POV, Self POV, Character POV, and storytelling.

Example Sentence: In storytelling, the Comedian will often become all 3 POVs.

Etymology: The use of POVs in comedy can be traced back to early vaudeville performers like Charlie Case. He is often credited with the first form of stand-up comedy, performing humorous monologues without props or costumes.

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3-5 and 10

Definition: Three most common lengths of routines or shows, in minutes, which comedians need to have prepared and ready to perform upon request. See routines.

Example Sentence: I almost have enough material to build 3-5 and 10-minute routines.

Etymology: 3-5 and 10 was coined by Greg Dean.

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4 Cs

Definition: Abbreviation for Clubs, Colleges, Cruise ships, and Corporations which are the four venues where stand-up comedians can get work. See gig.

Example Sentence: Of the 4 Cs, the clubs are where you'll get your first work.

Etymology: The term, 4 cs was originally coined by Greg Dean.

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4th wall

Definition: 1. Convention that imagines a wall existing between performers and their audience. 2. As related to stand-up comedy, when comedians enact a scene, Self POVs and Character POVs live in that environment unaware there's an audience. See scene work and Anatomy of Funny Storytelling.

Example Sentence: When you're watching a scene that takes place in a room, the 4th wall of it is taken off so the audience can watch the action unfold.

Etymology: The concept of the “4th wall” is attributed to the philosopher, critic, and dramatist Denis Diderot, who wrote in 1758 that actors and writers should "imagine a huge wall across the front of the stage, separating you from the audience, and behave exactly as if the curtain had never risen"

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5 joke mechanisms

Definition: In the Greg Dean model of joke structure, there are 5 mechanisms which connect the Setup and Punchline: 1st Story, Target Assumption, Connector, Reinterpretation, and 2nd Story. See Greg Dean's Joke Structure and joke structure.

Example Sentence: I never realized jokes were connected by 5 joke mechanisms, but they sure do explain how jokes work.

Etymology: This term and joke structure were both developed and coined by Greg Dean, a notable pioneer in the field of stand-up comedy education.

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5 LPMs

Definition: Abbreviation for Laughs Per Minute. 5 or more laughs per minute is the professional standard for stand-up comedy shows. See routines and laughs per minute.

Example Sentence: A great stand up comedy routine should get at least 5 LPMs.

Etymology: The exact origin of the term and who first coined it is not well-documented. It is likely that the term evolved organically within the comedy community as a way to quantify and evaluate comedic performance.

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A material

In the ABCs of comedy material rating system, A is the funniest jokes in routines or funniest routines in shows. "I'll start my show with my B material, do some crowd work, then end with my A material." See ABCs and BCAs.

ABCs

Definition: Rating system that gives values to jokes within routines, or routines within shows with A being the best. See A material, B material, and C material.

Example Sentence: I've recorded several of my shows and now I'm going to rate every joke using the ABCs system.

Etymology: The etymology of this term is not well-documented, but it likely evolved from the general use of letter grading systems in various fields to denote quality or performance levels

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act out

Definition: (1) Scene work in a stand-up comedy routine. (2) A scene within stand-up comedy routines where the comedian portrays all the roles of Narrator POV, Self POV, and Character POV. See scene work. and Anatomy of Funny Storytelling. (Act out coined by Judy Carter.)

Example Sentence: "In his latest set, the comedian's act out of a chaotic family dinner had the audience in stitches, as he seamlessly switched between the narrator, himself, and each exaggerated family member."

Etymology: The term "act out" in comedy likely derives from the broader theatrical tradition, where actors "act out" scenes by physically and vocally embodying different characters. In stand-up comedy, this technique has been adapted to describe a routine where the comedian performs a mini-scene, portraying various roles to enhance the humor and storytelling. This method allows the comedian to bring scenarios to life in a vivid and engaging way, drawing on the traditions of solo performance in theater and dramatic monologues.

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ad-lib

Spontaneously stating jokes within a scripted routine or show. "I give myself permission to ad-lib anytime during my show if I think of something funny." See improv.

age out

Point at which older comedians cannot get work because the younger generation of audiences don’t attend their shows, hence they age out. See bitters.

alternative interpretation

(1) A different way of explaining something. (2) As related to Greg Dean's Joke Prospector Writing System, it is an un-expected, yet compatible meaning of a Connector, other than the Target Assumption or the expected meaning. "What creates surprise in a joke is when the punchline is expressing a very unexpected alternative interpretation." See Connector, Reinterpretation, Target Assumption, Greg Dean's Joke Structure, and joke structure.

ambiguity

(1) Anything open to more than one interpretation. (2) In joke structure, an ambiguity, usually in setups, is anything that can have more than one meaning or interpretation, which becomes the mechanism, the Connector, when used to write a joke. See Connector and joke structure.

Anatomy of Funny Storytelling

Greg Dean’s model of the three performance roles, points of view (POVs), used in stand-up comedy storytelling: Narrator POV, Self POV, and Character POV. When performing, comedians are always in at least one of these POVs. "If you want to understand joke structure when telling stories, read Anatomy of Funny Storytelling." See Character POV, Narrator POV, Self POV, and storytelling joke structure.

applau

In a crowded venue when only one person makes a single clap, then stops. (Term coined by Michael Davis Juggler.) "If only one person claps, is that an applau?" See applause and applause break.

applause break

When an audience spontaneously claps in approval for a joke or routine during a show. "In last night's show, I got an applause break at least five times." See applau.

assumption

Belief that something exists or is true without proof or evidence. "An assumption by its very nature is a guess therefore it's not real." See Greg Dean's joke structure.

assumptions

Based on a piece of communication, Setup or Punchline, the mental means in which people compile information to fill in ambiguous or incomplete information to build a scenario in their minds until they believe they know what that piece of communication means. See 1st Story, 2nd Story.

attitude

(1) a fixed way of thinking or feeling about someone or something. (2) As related to the stand up comedy, the expression of only one negative emotion, opinion, or judgment repeatedly used toward every subject in jokes and routines. "The character of Steven Wright has a funny attitude toward all of his jokes." See comic voice.

availability dates

Calendar sent to bookers to indicate when the comedian can accept comedy gigs. "I send my availability dates to the booker of the comedy club." See avails.

avails

Abbreviation for availability dates which is a calendar sent to bookers to indicate when the days and weeks a comedian can accept comedy gigs. "The club booker asked me to send my avails" See availability dates.

B material

Definition: In the ABCs of comedy material rating system, B is the second-best jokes in a routine, or second-best routines within a show. "For tonight's show I'm going to work on my B material to find more tags." See ABCs and BCAs.

Example Sentence: During his set, the comedian realized the audience wasn’t responding well to his A-list jokes, so he quickly switched to his B material to see if it would get a better reaction

Etymology: This term is rooted in the practice of rating or categorizing jokes and routines based on their effectiveness and audience response. It likely evolved informally among comedians and writers as a way to organize and evaluate their material based on audience reactions and effectiveness.

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BCAs

The most effective order for placing jokes within routines or routines within a shows. i.e. “B” material first, “C” material in the middle, and “A” material to close the routine or show. "My show is funnier at the beginning that it is at the end, so I'm going to order it differently using the BCAs system so I'll end with my best jokes." See ABCs.

bit

A section of stand-up comedy routines or shows or a short routine. "I've decided to take out the After School bit because it slows down my show." See routine.

bitters

Angry resentful state of mind some comedians get when they've had a long career, but never made it into the big time who feel overlooked and uncredited for their contribution to comedy history. "Since he retired from comedy, Joey has developed a bad case of the bitters."

blank, going

While performing when comedians forget their jokes and feel as if they have forgotten everything they've even known, hence going blank. See flop sweat and rehearsal process.

blue material

Jokes, routines, or shows using graphic sexual, scatological, and swear words; not appropriate for network television. "A comedian, Max Miller, did clean jokes from his white notebook and risqué jokes from is blue notebook and that's origin of the term blue material." See dirty jokes and double entendre.

bomb

To perform comedy shows that get few or no laughs. "At the open mic I didn't just bomb, I left a crater." See die, dog it, crickets, eat it, flop, suck, tank…

booked

Hired for a comedy gig or job. "I'm so excited, I just booked my first paid stand-up comedy gig." See PA representation.

booker

Person who hires and pays comedians to work. "The club booker hired me to be the opener and MC for a weekend gig." See PA representation and representation.

booking

(1) The act of hiring comedians for shows. (2) The jobs comedians have booked. "This weekend I have my first booking of the year." See booker, PA representation, and representation.

bringer

Rooms or comedy clubs that require comedians to bring audience members to get stage time. "I did my first bringer show and my friends left before I got on stage at 2 a.m. These shows should come with a warning."

bringer room

Stand up comedy venues that require comedians to bring audience members to get stage time. "I got five of my friends to show up for tonight's bringer room." See bringer.

bringer show

Stand-up comedy shows where the comedians must bring audience members to get stage time. "For the bringer show I had to bring five paying customers to get 5 minutes on stage." See bringer.

bumped

Comedian being pushed to later time slot within the shows lineup, often by known comedians asking for unscheduled stage time. "As a non paid regular, when any famous comedians drops in, I'm the first to get bumped." See drop in.

C material

In the ABCs of comedy material rating system, C is the weakest jokes in routines, or weakest routines within a shows. "I like to place my C material between stronger jokes so they don't slow down my show." See ABCs and BCAs.

call-in a show

When comedians gives the minimum effort to a performance. "He could have at least given more of an effort rather than just call-in his show." See phone in.

callback

Repeating the punchline from a previously performed joke earlier in the routine. "She did a great callback with the different uses of a bottlecap." See running gag.

capper

Antiquated term for the final joke in routines and shows to end with the biggest laugh. "It was very clever how he got such a bit laugh with that capper." See closing joke and tag.

catchphrase

Common phrase repeatedly delivered with unusual or extraordinary emphasis that becomes a comedian's verbal trademark. "'I don't get no respect.' was Rodney Dangerfield's catchphrase."

Character POV

One of three perceptual position or roles within Greg Dean's Anatomy of Funny Storytelling achieved when comedians act out scenes and portray someone or something else. "That Character POV was spot on because he found that person's mindset." See act out, Anatomy of Funny Storytelling, Narrator POV, Self POV, and scene work.

chops

Description of comedians with a great deal of experience with handles difficult audience situations with easy. "After shutting down that heckler I realized this guy has chops." See stage time.

clapter

Joke designed to get an audience to applaud and agree, rather than laugh. The term is most often used in a negative sense. "Notice he didn't get a laugh with what he said, instead he got agreement with a round of clapter." (Submitted by Scott Meltzer.)

clean material

The jokes in stand-up comedy shows with no curse words or inappropriate subjects that is suitable for network television programs. "Elen got on all the late night talk shows because she did clean material." See blue material.

closer

(1) Comedians with shows strong enough to top the evening’s previous comedians. (2) A comedian’s final joke or routine. "It took Anthony more than a decade of performing to be a closer." See closing line.

closing line

Final joke of stand-up comedy shows designed to get a huge laugh while the comedian exits the stage. "Josh always uses the same joke as his closing line." See closer.

comeback

Quick reply with an insult joke to address a critical remark or heckle to put the person down. "Did you hear Dan handle that heckler after he said, 'If that big belly was on a woman she'd be pregnant.' and his comeback was, 'It was. And she is.'" See heckler lines, put down, or shut down.

comedian

(1) Someone who seeks to entertain people by making them laugh. (2) Someone who uses a character to get laughs. An old saying: "A comic says funny things. A comedian says things funny." See comic.

comedian’s comedian

Comedians other comedians most admire or emulate. "George Carlin was indeed the comedian's comedian." See comic's comic.

comedienne

Female comedian. "Most comedians don't know that Jean Carroll was the first modern day comedienne." Check her out on Youtube. See comedian and comic.

comedy timing

Tempo, rhythm, and emphasis of material and response in a feedback loop that develops between comedians and their audiences during a performance. "There's no one who had better comedy timing than Jerry." See comic timing and timing.

comic

(1) Someone who seeks to entertain people by making them laugh. (2) Someone who uses jokes to get laughs. An old saying: "A comic say funny things. A comedians say things funny." See comedian and comedienne.

comic timing

Tempo, rhythm, and emphasis of material and response in a feedback loop that develops between comedians and their audiences during a performance. "Robin had the fastest comic timing of anyone." See comedy timing and timing.

comic’s clichés

Phrases and physical idiosyncrasies so common and overused which betray a lack of original thought used by all hack comics. i.e. Greeting: "How you all doing tonight?" "I listened to a B level comic and he had five comic's cliches in the two minutes." See hack.

comic’s comic

Comics other comics most admire and emulate. "Stephen Wright is definitely a comic's comic." See comic and comedian.

common knowledge

(1) Information generally shared by most people. (2) information available within an immediate environment. (3) As related to stand-up comedy, the information within jokes the audience must be familiar to get the jokes. "Sometimes a joke setup is already in the audience's minds as common knowledge." See inside joke.

compere

Pronounced [kom]+[pair] British term for Master or Mistress of Ceremonies, MC, and emcee. "In the pub Dog and Pony there was an open mic upstairs run by the compere." See Emcee, host, Master or Mistress of Ceremonies, and MC.

Connector

Joke structure mechanism at the center of all comedy, humor, and jokes defined as 1 thing with at least 2 interpretations. See ambiguity. (As related to Greg Dean's Joke Structure and Joke Prospector Writing System this is one of the five mechanisms between the setup and punchline which explain how jokes work.) Fully explained in Greg Dean's books "Step by Step to Stand-Up Comedy" and "How to Write Jokes" available on Amazon.com

cord

The electrical cable which is attached to the microphone with a jack and plugs into the venue sound equipment. See microphone and mic cord.

cotton mouth

Condition in which the salivary glands in your mouth don't make enough saliva due to preforming anxiety or smoking some fantastic weed. See dry mouth and stage fright.

crickets

After the delivery of a failed joke when the audience is so quiet one could imagine hearing crickets. e.g. "At the end of my joke, there was nothing but crickets." See bomb, die, dog it, eat it, flop, suck, tank…

crowd work

When comedians ask questions of the audience then banter with the intent to find laughs. i.e. Questions: What's your name? or What do you do for a living? See comeback.

delivery

Style of intonation, inflection, pace, timing, and character ideocracies in the presenting comedy material. "Gary was a great writing and his delivery was flawless." See comedy timing.

die

Perform a comedy show that gets few or no laughs. "In my last show I didn't just die, I went through Dante's 9 Circles of Hell." See bomb, dying, dog it, crickets, eat it, flop, suck, tank…

dog it

Perform a comedy show that gets few or no laughs. See bomb, dying, die, crickets, eat it, flop, suck, tank…

double entendre

Word or phrase that is open to two interpretations, one of which is usually risqué or indecent. "Many of the joke on Whose Line Is It Anyway are sex laden double ententres." See joke, pun, wordplay.

double take

When a comedian looks at something, looks away, then is compelled to quickly look back to understand what was not comprehended with the first look which is followed by an expression shock, disbelief, or dismay. "Silent film stars took great pride in their abilities to master the double take to get laughs." See take.

double up

Performing in two comedy rooms or clubs in a single night. "I found two good open mics so tonight I'm going to double up."

downstage center

The location closest to the audience at the center of the stage. "Downstage center is where you should always find the mic and where you should leave it." See DSC.

dramedy

Any form of entertainment that balances the elements of drama and comedy, hence the made up word dramedy. "Bobby is starring on tv in another dramedy."

drop in

When a famous comedian unexpectedly enters a comedy club and immediately gets put on the stage, often with no restrictions on the amount of performing time, which pushes all of the comedians in that night's lineup to be bumped to a later time slot. "Robin would often drop in to the Comedy Store and do an hour or more." See bumped.

drop out

When comedians don't show up or cancel their appearance at a comedy room or club with little or no advance notice. "I let the club booker know that when he has a drop out to call me."

dry mouth

Condition in which the salivary glands in your mouth don't make enough saliva due to preforming anxiety or smoking some fantastic weed. "Take a glass of water with you on stage incase you get dry mouth." See cotton mouth and stage fright.

DSC

Abbreviation for the stage direction downstage center. I need to put DSC in this box to improve my SEO." See downstage center.

dying

How comedians feel when doing a comedy shows that get no or few laughs. "I'm dying up here." See die, crickets, eat it, flop, suck, dog it, tank…

eat it

To perform comedy shows that get no or few laughs. "At that really bad venue, did you eat it.?" See bomb, die, dying, crickets, flop, suck, tank, dog it …

eccentric

Funny people with a unique character or style that move outside of the norms even for comedians. "I can think of two eccentric comedians, they are Andy Kaufman and Jim Carey."

edgy

Comedy material dealing very hurtful subjects, yet are able to maintain a comedic tone that does not cross the hurt line into drama. "When Chris did an edgy routine about his molestation." See dark material and hurt line.

emcee

(1) Master or Mistress of Ceremonies, the person who runs shows and introduces the performers. (2) Stupid way to spell MC. "I was told that being an emcee at open mics is a great way to get stage time." See MC and host.

expectation

(1) Strong belief that something will continue, happen, or be the case in the future. (2) The desired result of joke setups. "Once the setup establishes the Target Assumption and the audience accepts it as true, then they will create an expectation." See 1st Story, 2nd Story, and surprise.

expected interpretation

In Greg Dean's joke structure, at the center of jokes is a mechanism the Connector, 1 Thing with 2 Interpretations, the expected interpretation of the Connector becomes the mechanism the Target Assumption, which is establish by the Setup to create misdirection. See unexpected interpretation, joke, Greg Dean's joke structure, Connector. and Target Assumption.

fall flat

Jokes, routines, or shows that get less of a response than expected. "When I don't engage the audience my shows fall flat." Do not see bomb, die, dying, crickets, flop, suck, tank, dog it …

feature

The second or middle comedian in the traditional three-comedian stand-up comedy show lineup. "I can now do a thirty minute show, so I'm booking myself as a feature." See opener, middle, and headliner.

fill in

With little notice to replace a comedian who has dropped out of a comedy show’s lineup. "I told the booker that I'll fill in whenever he has a drip out." See drop out.

flop

To perform comedy shows that get no or few laughs. "My open mic show last night was a real flop." See bomb, die, dying, crickets, eat it, suck, tank, dog it …

flop sweat

The monsoon of facial perspiration one secretes while bombing. "When I bomb I get a bad case of flop sweat." See bomb, die, dying, crickets, eat it, suck, tank, dog it …

gag

A joke or funny prank. "I just wrote a funny gag about my ex." See joke.

gag file

An organized collection of jokes and routines. "I've been compiling a gag file for over twenty years." See joke file.

gelotophobia

An extreme or irrational fear of being laughed at. "Gelotophobia is not the fear of Italian ice cream." See stage fright and performance anxiety.

get the light

The signal given to comedians that they only have one minute left or it’s time to end their shows and get off stage. "When you get the light, respect the light." See light and run the light.

gig

A show business job. "Your first paid gig will probably be for a comedy room." See avails, bookers, booking, and availability dates.

graph

Visual device or graph with dots on paper for evaluating the effectiveness of jokes to determine their proper placement within routines or routines within shows. "To know which were my best jokes I judged them on a graph." See ABCs and BCAs.

green room

Location in comedy venues where comedians gather before, during, and after their shows. "A green room is rarely green."

green room personality

Personality or manner comedians reveal when they are off stage or in the green room, which can be different from their on stage personality or manner. "She has bad green room personality because of the constant complaining."

groaner

(1) A joke, usually a pun, that causes the audience to groan. (2) Audience members who instead of laughing at the jokes, they groan, which can be contagious and start the entire audience groaning. "I started the show with only two groaners, pretty soon everyone was groaning at my jokes, how do I stop that?" See puns.

guest set or spot

Courtesy five-to-ten-minute shows offered by comedy clubs so accomplished comedians can audition live. "I called up a club in Omaha and asked for a guest set or spot and they gave me one on Saturday night."

hack

Definition: 1. Comics who perform overused and cliché topics and jokes with overacted delivery without relating to the audience. 2. In comedy, a "hack" refers to a comedian who performs overused, clichéd material with an exaggerated delivery, often lacking originality and failing to connect meaningfully with the audience. See comic's cliches.

Example Sentences: 1. Dave is a hack because he uses all of the comic's cliches in his show. 2. The audience quickly lost interest when they realized the comedian was just a hack, relying on tired, overused jokes and exaggerated delivery.

Etymology: The term "hack" in its derogatory sense originates from the word "hackney," which in the 16th century referred to a horse used for ordinary riding, often overworked and worn out. By the 18th century, "hack" began to be used more broadly to describe a person who does dull or routine work, particularly a writer producing unoriginal or formulaic content.

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hacky

Definition: 1. Overused topics, premises, and jokes filled with comic’s clichés. 2. Performance of hack material with obvious joke deliver where you can hear a drum rim shot. See comic's cliches and hack.

Example Sentences: 1. The material Bobby used couldn't be more hacky. 2. The comedian's performance was so hacky, with every joke being a tired stereotype we've all heard a hundred times before.

Etymology: The term "hacky" derives from "hack," which has been used since the mid-20th century in comedy to describe unoriginal and stale performances. "Hacky" emerged as an adjective to describe anything related to or characteristic of a "hack" comedian, particularly in the latter half of the 20th century as the stand-up comedy scene became more critical of unoriginal material.

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hammock

Definition: 1. The technique of placing weak or new stand up comedy material between two strong jokes or routines. 2. In comedy, a "hammock" refers to the placement of a weaker or experimental joke between two stronger, well-established jokes in a routine. See BCAs and sandwich.

Example Sentences: 1. I'll open with my B material, then hammock my new bit, and close with my A stuff. 2. The comedian smartly used a hammock strategy, sandwiching his new joke between two proven punchlines to keep the audience engaged.

Etymology: The term "hammock" in this context comes from the idea of "supporting" or "suspending" something. In comedy, it likely began to be used in the late 20th century as a metaphor for the practice of balancing weaker jokes (the hammock) between two stronger ones (the support beams).

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headliner

Definition: 1. The third and last comedian in a traditional stand-up comedy show lineup who has a following and famous enough to attract audience members to fill comedy clubs and does forty-five to an hour performance to close the shows. 2. In comedy, a "headliner" is the main act of a comedy show, typically the most well-known or experienced comedian, who performs the final and longest set of the night, usually after the opening acts. See opener, middle, and closer.

Example Sentences: 1. It took me fifteen years on the road to get enough national exposure to be a headliner. 2. The crowd was excited for the headliner, who had a reputation for delivering a killer set every time.

Etymology: The term "headliner" originated from the early 20th century in the entertainment industry, where the top-billed act or performer was listed in large type at the top of the show's promotional material, known as the "headline." In comedy, the term came into common use in the mid-20th century as stand-up comedy became a more established form of entertainment.

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heckler

Definition: 1. Audience members, usually drunk or high, who talk out loud or make comments and interrupt comedy shows and the comedian's rhythm. 2. A mental social disease. See heckler line.

Example Sentences: 1. Did you hear Kip crush that heckler with 'Out of millions of sperm you the quickest'? 2. The comedian expertly handled the heckler, turning their rude comments into a source of even bigger laughs.

Etymology: The term "heckler" dates back to the late 19th century, originally referring to textile workers who heckled or interrupted speakers at political events with sharp questions or comments. By the early 20th century, the term was adopted in the entertainment industry, particularly in stand-up comedy, to describe audience members who disrupt performances.

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heckler line

Definition: 1. Insult jokes comedians write, collect, and memorize to use on different kinds of hecklers to get them to shut up. 2. A "heckler line" is a pre-prepared, witty response used by comedians to shut down or manage a heckler during a performance, often turning the interruption into a comedic moment that enhances the show. See insult, comeback, heckler, put down.

Example Sentences: 1. Now I know why some animals eat their young. 2. When the audience member wouldn't stop yelling, the comedian delivered a perfect heckler line that had the entire crowd laughing and the heckler silenced.

Etymology: The concept of a "heckler line" emerged in the mid-20th century as stand-up comedy became more prominent, and comedians needed quick, sharp retorts to handle interruptions from hecklers.

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host

Definition: 1. A less formal term for Master or Mistress of Ceremonies, MC, and emcee. 2. In comedy, a "host" (also known as an emcee or MC) is the comedian responsible for opening the show, introducing the other performers, keeping the energy up between acts, and often performing their own material throughout the night. See compere, Emcee, Master or Mistress of Ceremonies, and MC.

Example Sentences: 1. I'm going to be the host at my own open mic. 2. The host warmed up the crowd with some sharp jokes before introducing the first act of the night.

Etymology: The term "host" has its origins in the Latin word hospes, meaning "guest" or "host," and has been used in English since the late Middle Ages to describe someone who receives or entertains guests. In the context of comedy, the term "host" started to be used in the 20th century as stand-up comedy clubs and shows became more formalized.

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housekeeping

Definition: 1. The duties of the MC to make announcements, promote future shows, recognize birthdays, point out exits and restrooms, calm hecklers, sell merchandise, run raffles, give curtain calls, end shows, and help empty the rooms. 2. In comedy, "housekeeping" refers to the initial announcements or remarks made by a comedian or host at the beginning of a show, which often include reminders about venue rules, upcoming events, and general information to ensure the show runs smoothly. See MC and host.

Example Sentences: 1. Before starting a show the MC must first do some housekeeping by telling the audience where the exits and restrooms are located. 2. Before getting into his routine, the comedian handled the housekeeping by reminding everyone to silence their phones and tip the waitstaff.

Etymology: The term "housekeeping" originates from the domestic practice of maintaining and organizing a home, dating back to the late Middle Ages. In the context of comedy and live performances, "housekeeping" was adapted in the late 20th century to describe the necessary but mundane announcements or instructions given to the audience before the main entertainment begins.

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hurry a joke

Definition: 1. Communicating a joke to an audience faster than they can comprehend the Setup's relationship to the Punchline, which can diminish or kill the laugh. 2. To "hurry a joke" in comedy means to deliver the punchline too quickly, without allowing the setup to build properly, often resulting in the joke falling flat or not achieving its full comedic potential. See rush a joke and processing.

Example Sentences: 1. I'm afraid I'll hurry a joke because I don't trust it will get a laugh. 2. The comedian hurried the joke, missing the perfect pause before the punchline, and the audience didn't react as strongly as they might have.

Etymology: The phrase "hurry a joke" likely developed within the stand-up comedy scene in the mid-20th century as a way to describe a common mistake made by comedians.

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hurt line

Definition: 1. Subjective psychological tipping point when the pain within the comedy becomes real and turns mood into drama. 2. A "hurt line" is a sharp, cutting remark or joke delivered by a comedian, often in response to a heckler or as part of their act, intended to sting or embarrass the target of the joke. See dramedy.

Example Sentences: 1. When Mario kicked the imaginary dog, it still crossed the hurt line because he became a person who would kick a dog. 2. When the heckler kept interrupting, the comedian fired back with a hurt line that left the room in stunned silence before the laughter erupted.

Etymology: The term "hurt line" likely emerged in the late 20th century within the stand-up comedy scene, where quick-witted responses to hecklers or biting remarks became a hallmark of skilled comedians.

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impressions

Acting out an impersonation of recognizable celebrities usually for comic effect or political satire. "Alec did some of the best impressions of Donald Trump on SNL." See impersonations.

improv

Abbreviation for improvisation. See ad-lib.

Improv Comedy Club

An "A" List Comedy Club with franchises around the US. "I saw my friend Dana at the Improv Comedy Club." See Improvisation Comedy Club

improvisation

(1) The activity of making or doing something not planned beforehand, often shortened to improv. (2) As related to comedy, it's the spontaneous creation of bits and sketches with a troop improvisors who know and practice the fundamental techniques and games of improvising. "Skip and I used to perform improvisation shows at the Ren. Faire." See improv.

Improvisation Comedy Club

An "A" List comedy club with franchises around the US often referred to as Thee Improv. "I performed at the Improvisation Comedy Club back when they still showcased singers." See Improv Comedy Club.

inside joke

Humor based on common knowledge information only known by a select institutions, groups, or people. "Andy did the ultimate inside joke that only two people got." See common knowledge.

intro

Prewritten announcement said by an MC, often comical, about comedians, performers, and presenters as they come to the stage or podium. Abbreviation for introduction. "The best intro is usually a funny intro." See introduction.

introduction

Prewritten announcement said by an MC, often comical, about comedians, performers, and presenters as they come to the stage or podium. "MCs prefer to give a funny introduction as it makes him and the guest look good." as it help See intro.

joke

(1) A single unit of humor. (2) A device for expressing humor that employs two sections. For a one-liner joke, it's Setup and Punchline, linked by the 5 mechanism the Connector: 1 thing with 2 interpretations. Section One / Setup establishes or contains a Target Assumption, the expected meaning of the Connector, which creates a false expectation. Section Two / Punchline communicates a Reinterpretation, the unexpected interpretation of the Connector, which makes Section 1 / Setup’s expected interpretation wrong, shattering the Target Assumption. (Definition by Greg Dean.) See joke structure and paraprosdokian.

joke diagram

Visual device created by Greg Dean to illustrate his model of joke structure. "I studied the joke diagram to help me understand the 5 mechanisms of joke structure." See joke, joke structure, storytelling joke structure, Joke Prospector Writing System.

joke file

Jokes collected, organized, and stored on index cards or on a computer program. "You need to develop a joke file because it's best to keep all of your material in one place." See gag file.

Joke Map

The first part of Greg Dean’s Joke Prospector Writing System, which starts with a topic, creates a punch-premise, setup-premise, and concludes with writing a series of joke setups. "The Joke Map helped me to define my topic, punch-premise, setup-premise, and then from there write a series of setups." See Joke Prospector Writing System, Joke Mine, joke structure.

Joke Mine

The second part of the Greg Dean’s Joke Prospector Writing System which begins with setups from the Joke Map, and then Joke Mine explains the process of using the joke 5 joke mechanisms of Target Assumption, Connector, and Reinterpretation to write punchlines for those setups. "The Joke Mine taught me how to use the 5 mechanisms of joke structure to write a punchline for any setup." See Joke Prospector Writing System, Joke Map, joke structure.

joke premise

(1) The message of jokes and routines. (2) Statement with a negative opinion about a subject from which to write jokes or routines. (Greg Dean definition.) "The joke premise helps me focus on what I'm going to make jokes about and what position I'm taking." See comedy premise, premise, punch-premise, routine premise, and setup-premise.

Joke Prospector Writing System

A joke writing system invented by Greg Dean consisting of the two-part combination of the Joke Map and the Joke Mine to teach a step-by-step process of writing one-liners. (As related to teaching comedy, it's the only joke writing system that begin with a topic and concludes with students writing one-liner jokes.) "The Joke Prospector Writing System is the only system that actually taught me, step by step, how to write jokes." See joke, joke structure, and one-liners.

joke structure

(1) Often referred to as setup, punchline, and sometimes tag. "Comedians should read the book Step by Step to Stand-Up Comedy if they really want to understand joke structure." See setup, punchline, and joke, Greg Dean's joke structure, and 5 joke mechanisms.

joke structure by Greg Dean

Model of Joke Structure by Greg Dean demonstrates the two sections of jokes, setup and punchline, which are linked by the 5 mechanisms of 1st Story, Target Assumption, Connector, Reinterpretation, and 2nd Story are joke structure. "After learning joke structure by Greg Dean, I could identify where my jokes were, then fix them, and also write new jokes at will." See 1st Story, 2nd Story, 5 joke mechanisms, Connector, joke, Reinterpretation, and Target Assumption.

joke writing

Definition: the action of crafting humorous expressions.

Example Sentence: After bombing at his last open mic, Ronald signed up for a stand-up comedy class to improve his joke writing skills.

Colloquial Usage: joke writing is a broad term that includes the creation of humor in the mind, improvisationally, crafted on paper or screen, pitched, rewriting existing or public domain, and punching up comedy scripts or routines.

Etymology: Joke derives from Latin "iocus" meaning jest, sport, past time. Writing derives from Old English "writan" which means to "score, outline or draw the figure of."

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jokey

(1) Obvious or cliche jokes. (2) Obvious or cliche performance of obvious or cliche jokes. "Jesse's routine doesn't sound like natural speaking, it's written way too jokey." See hack.

kick ass

(1) Shows when the audience laughs loud and often. (2) Intent to make an audience laugh loud and often. i.e. "At the comedy show, let's kick ass." See destroy, crush, and kill.

kill

When comedians have done a performance when the audience continuously laughs through the entire show. "My parents are in the house so I really want to kill." See destroy, crush, kick ass.

kill a laugh

(1) Speaking or doing actions after delivering a joke that causes audiences to not laugh or stop laughing. (2) Mistakes in wording, timing, or communication that makes the joke unclear, incomprehensible or inhibits the process of getting it. "Jake needs to stop talking after his punchlines, it's the easiest way to kill a laugh." See pause, break, reveal and step on laughs.

killed

When comedians have had an audience laughing through an entire show. "Tonight was the best show, I killed the audience." See destroy, crush, kick ass, and kill.

laser beam

Topics, premises, routines, jokes, or characters that sets off a public controversy. "Dave can take a laser beam and turn it around to create a comedy routine."

laughs per minute

Measurement for counting the number of laughs in routines or shows. "Sue finally got her show to the professional level of 5 laughs per minute." See LPMs and routines.

light, the

Signal to comedians their performing time is up or that they have 1-minute left before they must leave the stage. "When you get the light, respect it if you want to return to this club." See get the light, red light, open mics, and respect the light.

lineup

List of the order of comedians and the time each is slotted to perform in a show. "As a paid regular, I only have to call to find out where I'm at on the lineup."

lottery

At comedy clubs, rooms, and open mics where the lineup is determined by pulling names out of a hat or bucket. "At the Comedy Spittoon, it doesn't matter when you get there, you'll only get to perform if they pull you name from the lottery bucket." See open mics and open micers.

LPMs

An abbreviation for laughs per minute. "I've set the goal of having 5 LMPs for all of my routines." See laughs per minute and routines.

material conflicts

When comedians in the same comedy show lineup have similar topics, premises, or jokes.

MC

  1. Persons who introduce performers in a lineup.
  2. Abbreviation for Master or Mistress of Ceremonies. See compere, emcee, and host.

merch

Abbreviation for merchandise, the souvenirs comedians sell after the show, such as personalized t-shirts, caps, posters, and CDs of their performances to boost the amount of money they make per show. "I set up a table in the lobby to sell my merch."

merchandise

(1) Long for merch. (2) The personalized comedy club souvenirs sold in the lobby to augment the business's income, such as t-shirts, caps, posters, and the like. "In the lobby there's a display of merchandise for this club." See merch.

meta joke

Jokes that make fun of other common knowledge jokes or familiar joke templates. i.e. Template: "A man walks into a bar..." Meta joke: "A dyslexic man walks into a bra." See common knowledge.

mic

Abbreviation for microphone. (Pronounces mike.) See microphone.

mic cord

Electrical cable plugged into the microphone with a jack and attached on the other end to the venue sound equipment. See microphone and PA.

mic stand

Height-adjustable pole with a stabilizing base for holding microphones.

mic technique

Most effective ways of holding and moving the microphone, stand, and cord to enhance communication and smoothly get performers on and off stage.

microphone

(1) Phallus shaped device to enhance the volume of voices. (2) Long for mic. See cardioid, omnidirectional, wireless, and PA.

middle

Second comedian in the traditional three-comedian stand-up comedy show lineup. See feature, opener, headliner, and classic clubs.

mike

Pronunciation of mic or a word that is not a word if it's not a proper noun.

monologist

Solo comedian who does the stand-up comedy style of talking entirely from Narrator POV to the audience without acting out any scenes. See 3 POVs, monologue, and Narrator POV.

monologue

Stand-up comedy style with a solo comedian talking entirely from Narrator POV to the audience without acting out scenes. See 3 POVs, Narrator POV and monologist.

Narrator POV

One of three perceptual position or roles within Greg Dean's Anatomy of Funny Storytelling achieved when the comedian talks directly to the audience to do jokes, crowd work, and set up scenes in stand-up comedy shows. See act outs, Anatomy of Funny Storytelling, Character POV, Self POV, and scene work.

Neurolinguistic Programming

(1) The study and mapping of the structure of the human mind. (2) Practice of understanding how people organize their thinking, feeling, language and behaviors to produce the results they do. NLP provides people with a methodology to model outstanding performances achieved by geniuses and leaders in their field. NLP is also used for personal development and for success in business founded by John Grinder and Richard Bandler.

NLP

Abbreviation for Neurolinguistic Programming. The study and mapping of the structure of the human mind.

on the road

Continually work comedy gigs outside one’s city of residence. See road comic.

one-liner timing

After delivering a punchline, waiting for the laugh to peak, then pausing for the count of 2, 3, 4, then starting the next setup. See tag timing.

one-liners

Short jokes using a setup and a punchline. (Called one-liners, yet most contain two sentences.) See jokes, joke structure, punchlines and setup.

one-nighter

One stand-up comedy show for only one night.

open mic

Any venue where anyone can get on stage and do a few minutes of stand-up comedy. See comedy open mic.

open micer

Aspiring comedians who frequently do open mics. (Pronounced miker.) See open mic and Step by Step to Stand-Up Comedy.

open slot

An unfilled spot in a comedy show lineup. See lineup and drop outs.

opener

First comedian in the traditional three-comedian stand-up comedy show lineup. (Sometimes the opener is also the MC.) See feature, opener-MC, headliner, classic clubs, and MC.

opener-MC

First of three comedians in a traditional comedy club lineup who also serves as the show's host. See feature, opener, headliner, classic clubs, and MC.

opening line

(1) First joke of stand-up comedy shows to get a laugh in the first fifteen seconds. (2) Performing technique used by comedians who design jokes specially to start routines and shows with a solid laugh. See laughs per minute and BCAs.

oxymoron

A figure of speech in which apparently contradictory terms appear in together, yet are true, which sometimes is an actual joke. "The first time I heard an oxymoron is when George Carlin said, 'Military intelligence.'" See jokes.

PA

(1) Abbreviation for personal appearance. (2) Abbreviation for public address as in sound system. See PA representation, representation, show business, and public address system.

PA representation

People in charge of booking and arranging personal appearance work for comedians. See PA and representation.

PA system

Electronic system comprising microphones, amplifiers, loudspeakers, and related equipment to increases the volume for human voices and musical instruments. "As the MC I always get to the venue early to check out the PA system." See PA.

paid regular

Comedians selected, by owners or management of comedy clubs, to frequently perform and get paid a small stipend for every show. See regular.

paraprosdokian

Definition: a figure of speech in which the latter part of a sentence or phrase is surprising or unexpected in a way that causes the reader or listener to reframe or reinterpret the first part. Example Sentence: An erudite form of explication the foundational components of a humorous statement is a paraprosdokian. Or a fancy way of saying joke is paraprosdokian.

pause

(1) When comedians stop talking after a punchline to allow time for the audience to laugh. (2) Silence during a performance to enhance tension or allow the audience to think. See comedy timing and one-liner timing.

POV

Abbreviation for point of view. See 3 POVs, POVs, and Anatomy of Funny Storytelling, and storytelling joke structure.

POV shifts

(1) When a comedian is telling a story, the switching from one POV to another POV as a means of staging and portraying the circumstances of a scene and acting all of the roles or perceptual positions. (2) Changing from one POV to different POV to create joke structure. See 3 POVs, POVs, Narrator POV, Self POV, Character POV, Anatomy of Funny Storytelling, joke structure, scene work, and storytelling joke structure.

POVs

Abbreviation for points of view. e.g. Foundational elements of the performance roles of stand-up comedy storytelling with scene work as defined in Greg Dean's Anatomy of Funny Storytelling. See Narrator POV, Self POV, Character POV. storytelling joke structure, and POV shifts.

premise

(1) Generally referred to as an idea for a joke or routine, message of a routine, nugget of truth, any idea, topic, germ of a joke or routine, presents a common understanding, etc. (2) Greg Dean's definition: Statement with a negative opinion about a subject. See punch-premise.

preview

Synonymous with showcase. "I get to preview my show at the Comedy Story." See showcase and showcase clubs.

prop comics

Perform their jokes, characters, and stunts using gadgets and props. i.e. Gallagher or Carrot Top. See variety.

public domain

(1) Creative material not protected by intellectual property laws. (2) As related to stand-up comedy, all Topics and Premises are not owned by anyone, just as with jokes published in a book that are not attributed to a known comedian, living or dead, belong to the public. Individual jokes has a natural copyright for the creator, yet it's nearly impossible to legally enforce as it required proof the unauthorized use has caused financial damages.

Punch

(1) Short for punchline. (2) Desired shock a punchline should have on an audience to make them laugh. See punchline, joke, joke structure, reveal, reinterpretation, and surprise.

punch down

To make jokes about people and institutions with lower status than the comedian. See punch up.

punch up

(1) Writing more jokes and tags into an already written and performed routines or shows. (2) To make jokes about people and institutions with high status than the comedian. See punch down, and routines.

punch-premise

Step in the Joke Map that requires the writer to construct a statement with a negative opinion about a subject. See Joke Map, Joke Mine, joke structure, premise, and Joke Prospector Writing System.

punchline

(1) Second of two parts of one-liner jokes meant to get a laugh. (2) As related to Greg Dean's joke structure, the second part of jokes that express the Reinterpretation or unexpected meaning of the Connector. Long for Punch. "The joke got a bigger laugh when I shortened the punchline." See joke, joke structure. punch, and setup.

quip

Antiquated term for a witty or cleaver often taunting remark, often quip is replace by the term wit. See insult and put down.

read on material

When comedians perform their jokes and judge the audience's responses of laughter, groans, boos, silence, applause, etc. to know how to adjust their script to get big consistent laughs.

real audience

When the people at a comedy room or club are actual customers and not just comedians waiting for their turn to get on stage. See open mics.

red light

Final and strongest signal telling comedians to end their show immediately and get off stage. See light and respect the light.

regulars

Comedians who appear frequently at a particular comedy club often unpaid to get stage time and build material. See paid regular.

Rehearsal Process

Greg Dean's method of turning jokes or routines into scenes, by acting out the scenes using Narrator, Self, and Character POVs with the result of remembering in pictures, sounds, and feelings, so the comedians can tell the story of the material, rather than memorizing just the words, which must be recalled in self-talk. See 3 POVs, Narrator POV, Self POV, Character POV, act outs, and scene work. (Thorough explanation in Greg Dean's books "Step by Step to Stand-Up Comedy" and "How to Remember Jokes Naturally," available on Amazon.com.

Reinterpretation

One of the five joke structure mechanisms which is the unexpected interpretation of the Connector, expressed by the punchline, that makes the Target Assumption’s expected interpretation wrong. See joke, joke structure. 5 joke mechanisms, Connector, Target Assumption, and surprise.

reinterpretations

In Greg Dean's Joke Prospector Writing System the step when several alternative interpretations of the connector, other than the target assumption, are listed as ideas to be express in the punchline.

reveal

Specific information, often words, phrases, or actions, that communicate the Reinterpretation, which is best placed near or at the end of the Punchline. (Term coined by Greg Dean.) See Reinterpretation, Punchline, unexpected interpretation, surprise, and step on a laugh.

rhythm of three

Joke format when a Setup lists two positive items from the same category, then the Punchline reveals a third negative item that is compatible with the Setup’s two items, yet unexpected. i.e. "In America there many cult, the Manson Family, Heaven's Gate, Amway." or "As easy as A, B, 3." See rule of three, jokes, joke structure, joke formats.

riff

A technique within crowd work when comedians take an idea from an audience member's response and embellishes it or furthers the story to discover the humor. "I was able to riff off the idea of a guy going to janitor school." See crowd work, improv, and ad-libs.

rim shot

Two hits on a drum and one hit of a cymbal to indicate the punchline of an obvious joke.

rip

To attack, insult, or verbally tear into an audience member or comic who has heckled or otherwise deserves the abuse. See heckler, insult, heckler lines.

road agent or manager

Person in charge of booking and arranging personal appearances work in comedy clubs outside the comedian's city of residence, See PA representation and personal appearance.

road comic

Professional comedians who travel to do comedy club work outside their residential city to make a living doing stand-up comedy. "All I've ever wanted to be was a road comic." See road, road warrior, road dog. road work.

road work

Comedy club gigs when comedians must travel outside of their residential city. See road, road comics.

road, the

Metaphorically refers to continuous traveling from comedy gig to comedy gig and not returning to one's place of residence, hence being on the road. See road comics,

roast

Jokes used to playfully insult and embarrass specific people and celebrities, often as a means of honoring them. See Roast Battle and insult.

roll

Delivering a string of jokes and tags that cause the audience to continuously laugh for an extended period. i.e. "I crushed it because I got the audience on a roll." See tags and tag timing.

routine

A series of jokes, act outs, and tags all on the same topic, premise, or in a funny story delivered by comedians. See joke, act outs, tags, and storytelling.

routine premise

Statement with a negative opinion about a subject from which to write jokes and routines. See comedy premise, premise, jokes, and routines.

rule of three

Joke format when a Setup lists two positive items from the same category, then the Punchline reveals a third negative item that is compatible with the Setup’s two items, yet unexpected. i.e. "A competent nurse needs to know all about drugs, like the dosages, the side effects, the street value." or "As easy as 1, 2, C." See rhythm of three, jokes, joke structure, joke formats.

run the light

When comedians continue to perform on stage after being given the light that signals their allotted time slot is over, which an result with the MC coming on stage and forcing the comedian off. See light, red light, and banned.

running gag

Jokes recurring two or more times within the same routine or show. See callback.

rush a joke

Communicating a joke to an audience faster than they can comprehend the Setup's relationship to the Punchline, which diminishes or kills the laugh. See hurry a joke and processing.

sandwich

Technique of placing weaker material or improvisation between two strong jokes or routines. See hammocking.

scene work

(1) Stand-up comedy routine which includes a scene that is acted out. (2) When comedians, from Narrator POV, set up scenes, and then act out the scenes using Self POVs and Character POVs to portray all the roles for comic effect. "I think I'll add scene work to my performing skills." See act outs, POVs, storytelling, Narrator POV, Self POV, and Character POV.

scream

The loudest and most powerful instant laugh comedians get from an audience. "I didn't expect to get a scream with that joke." See kill.

segue

Transitional sentences or phrases that lead joke to the next joke or routines to the next routine. See comic's cliches, hack, and routines.

Self POV

One of three perceptual position or roles within Greg Dean's Anatomy of Funny Storytelling achieved when comedians act out scenes and portray themselves. Not to be confused with Narrator POV which is not in scenes and only talks directly to the audience. See act outs, Anatomy of Funny Storytelling, Character POV, Narrator POV, POVs and scene work.

self talk

Internally talking to one’s self or inside voice produced by the Broca Area of the brain responsible for speech. (As related to Greg Dean's improper rehearsal, when comedians practice their jokes by saying only the words out loud over and over and over as a means of memorization, it gets coded in the Broca Area of the brain, so the only way to recall the jokes is to go into Self Talk and say the words of the jokes in your head, then immediately repeating those exact works to the audience as joke delivery.) See Rehearsal Process, improper rehearsal, and relationship with the audience.

set

(1) Stand-up comedy routines or shows of any length. (2) When comedians repeat their routines or shows with exactly the same words, body language, vocal tones, intents, inflictions, and emotions for every performance. See relationship with the audience, timing, and material interpretation.

set list

Bullet point reminders of the order of the jokes or routines to be done in a show written on paper, cell phone or hand. See show list and Rehearsal Process.

setup

(1) First of two parts of one-liner jokes designed to misdirect the audience to a false expectation. (2) As related to Greg Dean's joke structure, the part of jokes that establish the Target Assumption or expected meaning of the Connector. "I rewrote the setup so it would more clearly misdirect the audience." See Connector, joke, joke structure, and Target Assumption.

Setup-Premise

Step in the Joke Map that requires the writer to construct a statement opposite to that of the Punch-Premise using a positive opinion about a subject with the next step to write a series of setups that misdirect. See Joke Map, Joke Mine, joke structure, premise, Joke Prospector Writing System, and setups.

show list

Bullet point reminders of the order of the jokes or routines to be done in a show written on paper, cell phone or hand. See set list, routines, and rehearsal process.

showcase

(1) Stand-up comedy format with a series of comedians performing one after the other. (2) Special shows usually at major clubs for being seen by potential bookers, agents, or managers. (3) Shows for the purposes of giving students the experience of performing. See preview and stand-up comedy classes.

showcase clubs

Comedy clubs, rooms, and venues using a lineup of ten or more comedians in a row as the format for their shows. See traditional clubs.

shtick

(1) Yiddish for a comic scene or piece of business, often implying the use of a gimmicks or physical comedy. See joke or bit.

sight gag

(1) Yiddish for a comic scene or piece of business, often implying the use of a gimmicks or physical comedy. See joke or bit.

sign ups

Open mics that require performers to sign up in advance, then later a lottery determines the lineup of that night’s show. See lottery, bucket, and open mics.

smooth on and smooth off

Best practices for getting on stage and off stage to ensure well run shows. (Phrase coined by Jerry Seinfeld.) See entrance and exit.

spit take

While drinking a liquid, the comedian hears or sees something shocking or funny and reacts by uncontrollably spraying all the fluid out of his mouth, hence the spit take, preferable into someone else's face. See slapstick.

spotlights

Lamps projecting a narrow, intense beam of light directly onto a stage. "When I got on stage, the spotlights were so bright I couldn't see anything." See stage lights.

stage lights

Bank of lamps pointed to illuminate a stage. "At the open mic the stage lights were very dim." See spotlights.

stage time

(1) What comedians need in front of audiences to get experience and learn their craft. (2) Duration, in minutes, comedians get to perform at each specific show. i.e. "They're going to give me 5 minutes of stage time at the open mic."

stay in the bit

After a Punchline during the audience laughter, to stop talking and remain in the same emotion or state of mind as when the joke was delivered. To stay in the bit gives the audience permission and space to laugh and then keeps the momentum when it's time to deliver the next joke in the routine. See pause, break and timing. (Term coined by Jerry Seinfeld.)

Step by Step to Stand-Up Comedy

Book written by Greg Dean that lays out the fundamental skills, participles, and techniques of learning how to become a comedian. Also companion workbook series: 1. How to Write Jokes. 2. How to Improve Jokes and Routines. 3. How to Remember Jokes Naturally. 4. How to Be a Funny Performer. 5. How to Get the Experience to Be Funny. Available on Amazon.com

step on laughs

After delivering a Punchline, when comedians continue talking or taking any overt action that causes their audiences to stop laughing. See pause, break, jokes, kill a laugh, talk over laughs, Punchline, and reveal.

stool

The only traditional furniture on a stand up comedy club stage so the comedian can sit down while doing stand-up. See comedy clubs and traditional clubs.

story jokes

Long story jokes told from Narrator POV that ends with one punchline, more often told by people not comedians. See Narrator POV and jokes.

storytelling

(1) The vivid description of ideas, beliefs, personal experiences, and life-lessons through stories or narratives that evoke powerful emotions and insights. (2) As related to stand-up comedy and Greg Dean's Anatomy of Funny Storytelling, when comedians tell stories from Narrator POV to set up scenes, then shift from the Narrator POV to inside the scenes and act out the Self POVs and/or the Character POVs to expose the humor of the situations, characters, and conflicts. See POVs, scene work, storytelling joke structure, and stand-up comedy storytelling.

storytelling joke structure

Jokes in storytelling have the same structure as one-liners, yet they require more skills to present them which include scene work, space work, object work, situations, relationships, tenses, psychology, acting, and staging using the POVs of Narrator, Self, and Character. With one-liners the Setup, Punchline, and Tag are all performed only by the Narrator POV as there are no scenes acted out. Whereas storytelling has scenes which include Self and Character POVs, therefore the Setup, Punchline, and Tag can be disturbed between any of these 3 POVs. This distribution amongst the POVs is the difference between one-liner joke structure and storytelling joke structure. See storytelling. joke structure, POVs, and Anatomy of Funny Storytelling.

storytelling with scene work

(1) When comedians set up scenes, then act out all the roles. (2) As related to Anatomy of Funny Storytelling, when comedians tell a story from Narrator POV and set up a scene, then shifts from Narrator POV to be inside the scene to portray Self and/or Character POVs to express the humor based on the situation characters, and conflict. See scene work, storytelling, storytelling joke structure, and Anatomy of Funny Storytelling.

storytelling without scene work

Telling stories from Narrator POV only using one-liner jokes with the scenes explained as part of the narrative, but never physically acting out. See one-liners, comics, storytelling. joke structure, POVs, storytelling joke structure, and Anatomy of Funny Storytelling.

stretch

When MCs must continue to entertain an audience until some technical or logistical problem is solved. See MC and ad-lib.

surprise

Intended result of joke punchlines, which hopefully causes laughter. See Punchline and expectation.

tag

Additional short punchline immediately following a punchline or tag that does not require a new setup. i.e. "For Father's Day I took my father out. It only took seven shot. Tag: I could always out drink him. Tag: Even before he did mass." See jokes, joke structure, LPMs, and act outs.

tag line

British for tag. See tag, jokes, joke structure, LPMs, and act outs.

tailor

Interpreting or altering material to fit a unique performing situation and different audiences. "Since the audience mostly consists of cops I tailor the jokes so they could relate." See deregulate and Rehearsal Process.

take

Facial reaction used by comedians to express their feeling of the current situation. i.e. Jack Benny, Eddie Murphy, Chevy Chase... See mugging. double take, and spit take.

take a beat

Pause or break during a comedy show for the purposes of delivery and comic timing often between the Setup and Punchline or after a Punchline to let the audience laugh. See pause, break, jokes, step on a laugh, and comedy timing.

talk over laughs

After the delivery of a Punchline, when the comedian continuing to speak, instead of taking a pause, hence talking over or interrupting the audience's laughter. See step on laughs, kill a laugh, reveal and comedy timing.

talking head

Comics who memorize the words of their jokes and deliver them with no emotion or physical movement. See comic and Rehearsal Process.

Target

(1) Shortened version of Target Assumption. (2) The butt or subject of jokes. See joke, joke structure, misdirection, Target Assumption, 1s Story, and butt.

Target Assumption

One of the five joke structure mechanisms, the Target Assumption is the expected interpretation of the Connector, established by the Setup to misdirect the audience. See joke, joke structure. 5 joke mechanisms, Connector, Setup and expectation.

TCR

Abbreviation for Target Assumption, Connector, and Reinterpretation, hence TCR, as defined in Greg Dean's Joke Structure. See jokes, joke diagram, and Joke Prospector Writing System.

telegraphing

Causing the audience to guess the Punchline before it's delivered, which usually means the Setup has too much information or an acting choice that leads the audience prematurely to the idea of the punchline, hence telegraphing, rather than misdirecting them away from it. See joke structure and misdirection. (Submitted by Scotty Meltzer.)

throw away

To place little performing emphasis on jokes which are usually considered important.

time slot

Spot on comedy room or club lineups which designates the time and length of time comedians get to perform. See lineup, open mics, and regulars.

timing

(1) The tempo, rhythm developed between the comedian and the audience while preforming stand-up comedy. (2) Figuring out at home the length of time a routine or show will take. See comedy timing, relationship with the audience, and feedback loop.

topic

Large starting single idea about something wrong from which entire routines or shows are written. (Not to be confused with Premise which is a narrower idea stated as a negative opinion about a subject.) See routines, comedy voice, and joke writing.

topical jokes

Comedy material based on current events, cultural trends, fades, and politics usually done on late night talk shows and sketch shows. i.e. Saturday Night Live. See one-liners, political humor, and roast.

topper

Antiquated term referring to a joke building off a previous joke. See tag, joke, and capper.

traditional clubs

Professional stand-up comedy clubs and venues that use an MC and/or opener, feature or middle, and headliner comedians as the format for their shows. See showcase clubs.

triple up

To perform in three comedy clubs, rooms or open mics in one night. See double up, open mics, and stage time.

unexpected interpretation

In Greg Dean's joke structure, at the center of jokes is a mechanism the Connector, 1 Thing with 2 Interpretations, hence the unexpected interpretation of the Connector becomes the mechanism the Reinterpretation, which is then expressed in the Punchline to create surprise. See expected interpretation, joke, joke structure, Reinterpretation, Connector. and Target Assumption.

unpaid regular

Definition: Comedians who frequently perform at a particular showcase comedy club, but does not get paid because they are getting stage time and experience in front of live audiences. See regular, paid regular, and stage time.

Example Sentence: After months of performing at open mics, she finally became an unpaid regular at the comedy club.

Etymology: This term likely originated in the mid-20th century, particularly in the stand-up comedy scene.

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variety performer

Comedians who do comedy along with other performing skills, such as juggling, guitar, magic, ventriloquism, props, etc.

venue

Any space, room, stage, or club used for presenting stand-up comedy shows.

walking ovation

Applause while the audience leaving the room or club. "They audience was in such a hurry to leave they gave me a walking ovation." See applause break and standing ovation.

warm up

(1) Before a show when comedians prepare themselves to go on stage by doing light physical exercise, ritual of play, going through the set order, making up jokes for their entrance, or generally warm up, etc. (2) At the beginning of shows, when comedians work the crowd with material, requests for applause, crowd work, etc. to unify the audience into a laughing force in preparation for the next comedian or host of a tv show.

week gigs

Comedy jobs with performances on Thursday through Sunday nights. See traditional clubs and weekend gigs.

weekend gigs

Comedy club jobs performed on Friday, Saturday, and sometimes Sunday nights. See traditional clubs and week gigs.

wind down

Definition: After shows when comedians come down from the excitement and stress of performing by getting something to eat, drinking or using drugs, or socializing until they are calm or numb enough to be able to sleep, hence wind down.

Example Sentence: After his routine, he likes to wind down with friends before going home.

Etymology: The term “wind down” originated from the mechanical age, where it was used to describe the process of gradually slowing or stopping a machine by releasing tension from a spring or winding mechanism.

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wordplay

Definition: Verbal wit based on the meanings and ambiguities of words. See also ambiguity, joke, pun, double entendre, and connector.

Example sentence:  Her stand-up routine was filled with clever wordplay, leaving the audience in stitches with her witty puns and double entendres.

Etymology: Old English "word" and Old English plegan. Wordplay has been in use since circa 1855.

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X rated material

Definition: x rated material are those jokes or routines with foul language, graphic sex, toilet, and mucus references which can be very offensive to average sensibilities that cannot be done on network tv. See blue material, caca, and toilet material.

Example Sentence: The comedian’s late-night show featured a mix of clever wordplay and x-rated material, ensuring that the audience was both entertained and occasionally shocked.

Etymology: The “X” rating was introduced by the Motion Picture Association of America (MPAA) in 1968 and indicated that the material was for an adult audience only.

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1st Story

Definition: 1. The scene imagined in audience's minds based upon receiving a joke's Setup. 2. One of the five joke structure mechanisms that connect Setup and Punchline. See Joke Prospector Writing System, joke writing, and joke structure.

Example Sentences: 1. The comedian's joke set-up was when he said, ‘I walked into a bar,’ the audience immediately pictured a dimly lit pub with a row of stools and a bartender cleaning glasses - that's the 1st story.. 2. 1st Story is one of the joke structure mechanisms taught in the Greg Dean Method.

Etymology: Joke Structure was developed and coined as a comedy term by Greg Dean.1st Story derives from the words first (Old English fyrst) meaning foremost or earliest and story (Latin "historia") for narrative or account.

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2nd Story

Definition: 1. The scene imagined in audience's minds based upon receiving a joke's Punchline. 2. One of the five joke structure mechanisms that connect Setup and Punchline. See joke structure, Joke Prospector Writing System, and joke writing.

Example Sentence: When I hear a comedian say a punchline, I imagine a scene or 2nd Story so it makes sense to me.

Etymology: 2nd: Derived from the Old English word “ōðer,” meaning “other” or “second.” Story: Comes from the Latin word “historia,” which means “narrative” or “account.”

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3 POVs

Definition: POVs (Points of View): Key elements in stand-up comedy storytelling, where the comedian adopts performance roles during his routine involving different perspectives. See Narrator POV, Self POV, Character POV, and storytelling.

Example Sentence: In storytelling, the Comedian will often become all 3 POVs.

Etymology: The use of POVs in comedy can be traced back to early vaudeville performers like Charlie Case. He is often credited with the first form of stand-up comedy, performing humorous monologues without props or costumes.

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3-5 and 10

Definition: Three most common lengths of routines or shows, in minutes, which comedians need to have prepared and ready to perform upon request. See routines.

Example Sentence: I almost have enough material to build 3-5 and 10-minute routines.

Etymology: 3-5 and 10 was coined by Greg Dean.

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4 Cs

Definition: Abbreviation for Clubs, Colleges, Cruise ships, and Corporations which are the four venues where stand-up comedians can get work. See gig.

Example Sentence: Of the 4 Cs, the clubs are where you'll get your first work.

Etymology: The term, 4 cs was originally coined by Greg Dean.

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4th wall

Definition: 1. Convention that imagines a wall existing between performers and their audience. 2. As related to stand-up comedy, when comedians enact a scene, Self POVs and Character POVs live in that environment unaware there's an audience. See scene work and Anatomy of Funny Storytelling.

Example Sentence: When you're watching a scene that takes place in a room, the 4th wall of it is taken off so the audience can watch the action unfold.

Etymology: The concept of the “4th wall” is attributed to the philosopher, critic, and dramatist Denis Diderot, who wrote in 1758 that actors and writers should "imagine a huge wall across the front of the stage, separating you from the audience, and behave exactly as if the curtain had never risen"

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5 joke mechanisms

Definition: In the Greg Dean model of joke structure, there are 5 mechanisms which connect the Setup and Punchline: 1st Story, Target Assumption, Connector, Reinterpretation, and 2nd Story. See Greg Dean's Joke Structure and joke structure.

Example Sentence: I never realized jokes were connected by 5 joke mechanisms, but they sure do explain how jokes work.

Etymology: This term and joke structure were both developed and coined by Greg Dean, a notable pioneer in the field of stand-up comedy education.

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5 LPMs

Definition: Abbreviation for Laughs Per Minute. 5 or more laughs per minute is the professional standard for stand-up comedy shows. See routines and laughs per minute.

Example Sentence: A great stand up comedy routine should get at least 5 LPMs.

Etymology: The exact origin of the term and who first coined it is not well-documented. It is likely that the term evolved organically within the comedy community as a way to quantify and evaluate comedic performance.

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A material

In the ABCs of comedy material rating system, A is the funniest jokes in routines or funniest routines in shows. "I'll start my show with my B material, do some crowd work, then end with my A material." See ABCs and BCAs.

ABCs

Definition: Rating system that gives values to jokes within routines, or routines within shows with A being the best. See A material, B material, and C material.

Example Sentence: I've recorded several of my shows and now I'm going to rate every joke using the ABCs system.

Etymology: The etymology of this term is not well-documented, but it likely evolved from the general use of letter grading systems in various fields to denote quality or performance levels

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act out

Definition: (1) Scene work in a stand-up comedy routine. (2) A scene within stand-up comedy routines where the comedian portrays all the roles of Narrator POV, Self POV, and Character POV. See scene work. and Anatomy of Funny Storytelling. (Act out coined by Judy Carter.)

Example Sentence: "In his latest set, the comedian's act out of a chaotic family dinner had the audience in stitches, as he seamlessly switched between the narrator, himself, and each exaggerated family member."

Etymology: The term "act out" in comedy likely derives from the broader theatrical tradition, where actors "act out" scenes by physically and vocally embodying different characters. In stand-up comedy, this technique has been adapted to describe a routine where the comedian performs a mini-scene, portraying various roles to enhance the humor and storytelling. This method allows the comedian to bring scenarios to life in a vivid and engaging way, drawing on the traditions of solo performance in theater and dramatic monologues.

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ad-lib

Spontaneously stating jokes within a scripted routine or show. "I give myself permission to ad-lib anytime during my show if I think of something funny." See improv.

age out

Point at which older comedians cannot get work because the younger generation of audiences don’t attend their shows, hence they age out. See bitters.

alternative interpretation

(1) A different way of explaining something. (2) As related to Greg Dean's Joke Prospector Writing System, it is an un-expected, yet compatible meaning of a Connector, other than the Target Assumption or the expected meaning. "What creates surprise in a joke is when the punchline is expressing a very unexpected alternative interpretation." See Connector, Reinterpretation, Target Assumption, Greg Dean's Joke Structure, and joke structure.

ambiguity

(1) Anything open to more than one interpretation. (2) In joke structure, an ambiguity, usually in setups, is anything that can have more than one meaning or interpretation, which becomes the mechanism, the Connector, when used to write a joke. See Connector and joke structure.

Anatomy of Funny Storytelling

Greg Dean’s model of the three performance roles, points of view (POVs), used in stand-up comedy storytelling: Narrator POV, Self POV, and Character POV. When performing, comedians are always in at least one of these POVs. "If you want to understand joke structure when telling stories, read Anatomy of Funny Storytelling." See Character POV, Narrator POV, Self POV, and storytelling joke structure.

applau

In a crowded venue when only one person makes a single clap, then stops. (Term coined by Michael Davis Juggler.) "If only one person claps, is that an applau?" See applause and applause break.

applause break

When an audience spontaneously claps in approval for a joke or routine during a show. "In last night's show, I got an applause break at least five times." See applau.

assumption

Belief that something exists or is true without proof or evidence. "An assumption by its very nature is a guess therefore it's not real." See Greg Dean's joke structure.

assumptions

Based on a piece of communication, Setup or Punchline, the mental means in which people compile information to fill in ambiguous or incomplete information to build a scenario in their minds until they believe they know what that piece of communication means. See 1st Story, 2nd Story.

attitude

(1) a fixed way of thinking or feeling about someone or something. (2) As related to the stand up comedy, the expression of only one negative emotion, opinion, or judgment repeatedly used toward every subject in jokes and routines. "The character of Steven Wright has a funny attitude toward all of his jokes." See comic voice.

availability dates

Calendar sent to bookers to indicate when the comedian can accept comedy gigs. "I send my availability dates to the booker of the comedy club." See avails.

avails

Abbreviation for availability dates which is a calendar sent to bookers to indicate when the days and weeks a comedian can accept comedy gigs. "The club booker asked me to send my avails" See availability dates.

B material

Definition: In the ABCs of comedy material rating system, B is the second-best jokes in a routine, or second-best routines within a show. "For tonight's show I'm going to work on my B material to find more tags." See ABCs and BCAs.

Example Sentence: During his set, the comedian realized the audience wasn’t responding well to his A-list jokes, so he quickly switched to his B material to see if it would get a better reaction

Etymology: This term is rooted in the practice of rating or categorizing jokes and routines based on their effectiveness and audience response. It likely evolved informally among comedians and writers as a way to organize and evaluate their material based on audience reactions and effectiveness.

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BCAs

The most effective order for placing jokes within routines or routines within a shows. i.e. “B” material first, “C” material in the middle, and “A” material to close the routine or show. "My show is funnier at the beginning that it is at the end, so I'm going to order it differently using the BCAs system so I'll end with my best jokes." See ABCs.

bit

A section of stand-up comedy routines or shows or a short routine. "I've decided to take out the After School bit because it slows down my show." See routine.

bitters

Angry resentful state of mind some comedians get when they've had a long career, but never made it into the big time who feel overlooked and uncredited for their contribution to comedy history. "Since he retired from comedy, Joey has developed a bad case of the bitters."

blank, going

While performing when comedians forget their jokes and feel as if they have forgotten everything they've even known, hence going blank. See flop sweat and rehearsal process.

blue material

Jokes, routines, or shows using graphic sexual, scatological, and swear words; not appropriate for network television. "A comedian, Max Miller, did clean jokes from his white notebook and risqué jokes from is blue notebook and that's origin of the term blue material." See dirty jokes and double entendre.

bomb

To perform comedy shows that get few or no laughs. "At the open mic I didn't just bomb, I left a crater." See die, dog it, crickets, eat it, flop, suck, tank…

booked

Hired for a comedy gig or job. "I'm so excited, I just booked my first paid stand-up comedy gig." See PA representation.

booker

Person who hires and pays comedians to work. "The club booker hired me to be the opener and MC for a weekend gig." See PA representation and representation.

booking

(1) The act of hiring comedians for shows. (2) The jobs comedians have booked. "This weekend I have my first booking of the year." See booker, PA representation, and representation.

bringer

Rooms or comedy clubs that require comedians to bring audience members to get stage time. "I did my first bringer show and my friends left before I got on stage at 2 a.m. These shows should come with a warning."

bringer room

Stand up comedy venues that require comedians to bring audience members to get stage time. "I got five of my friends to show up for tonight's bringer room." See bringer.

bringer show

Stand-up comedy shows where the comedians must bring audience members to get stage time. "For the bringer show I had to bring five paying customers to get 5 minutes on stage." See bringer.

bumped

Comedian being pushed to later time slot within the shows lineup, often by known comedians asking for unscheduled stage time. "As a non paid regular, when any famous comedians drops in, I'm the first to get bumped." See drop in.

C material

In the ABCs of comedy material rating system, C is the weakest jokes in routines, or weakest routines within a shows. "I like to place my C material between stronger jokes so they don't slow down my show." See ABCs and BCAs.

call-in a show

When comedians gives the minimum effort to a performance. "He could have at least given more of an effort rather than just call-in his show." See phone in.

callback

Repeating the punchline from a previously performed joke earlier in the routine. "She did a great callback with the different uses of a bottlecap." See running gag.

capper

Antiquated term for the final joke in routines and shows to end with the biggest laugh. "It was very clever how he got such a bit laugh with that capper." See closing joke and tag.

catchphrase

Common phrase repeatedly delivered with unusual or extraordinary emphasis that becomes a comedian's verbal trademark. "'I don't get no respect.' was Rodney Dangerfield's catchphrase."

Character POV

One of three perceptual position or roles within Greg Dean's Anatomy of Funny Storytelling achieved when comedians act out scenes and portray someone or something else. "That Character POV was spot on because he found that person's mindset." See act out, Anatomy of Funny Storytelling, Narrator POV, Self POV, and scene work.

chops

Description of comedians with a great deal of experience with handles difficult audience situations with easy. "After shutting down that heckler I realized this guy has chops." See stage time.

clapter

Joke designed to get an audience to applaud and agree, rather than laugh. The term is most often used in a negative sense. "Notice he didn't get a laugh with what he said, instead he got agreement with a round of clapter." (Submitted by Scott Meltzer.)

clean material

The jokes in stand-up comedy shows with no curse words or inappropriate subjects that is suitable for network television programs. "Elen got on all the late night talk shows because she did clean material." See blue material.

closer

(1) Comedians with shows strong enough to top the evening’s previous comedians. (2) A comedian’s final joke or routine. "It took Anthony more than a decade of performing to be a closer." See closing line.

closing line

Final joke of stand-up comedy shows designed to get a huge laugh while the comedian exits the stage. "Josh always uses the same joke as his closing line." See closer.

comeback

Quick reply with an insult joke to address a critical remark or heckle to put the person down. "Did you hear Dan handle that heckler after he said, 'If that big belly was on a woman she'd be pregnant.' and his comeback was, 'It was. And she is.'" See heckler lines, put down, or shut down.

comedian

(1) Someone who seeks to entertain people by making them laugh. (2) Someone who uses a character to get laughs. An old saying: "A comic says funny things. A comedian says things funny." See comic.

comedian’s comedian

Comedians other comedians most admire or emulate. "George Carlin was indeed the comedian's comedian." See comic's comic.

comedienne

Female comedian. "Most comedians don't know that Jean Carroll was the first modern day comedienne." Check her out on Youtube. See comedian and comic.

comedy timing

Tempo, rhythm, and emphasis of material and response in a feedback loop that develops between comedians and their audiences during a performance. "There's no one who had better comedy timing than Jerry." See comic timing and timing.

comic

(1) Someone who seeks to entertain people by making them laugh. (2) Someone who uses jokes to get laughs. An old saying: "A comic say funny things. A comedians say things funny." See comedian and comedienne.

comic timing

Tempo, rhythm, and emphasis of material and response in a feedback loop that develops between comedians and their audiences during a performance. "Robin had the fastest comic timing of anyone." See comedy timing and timing.

comic’s clichés

Phrases and physical idiosyncrasies so common and overused which betray a lack of original thought used by all hack comics. i.e. Greeting: "How you all doing tonight?" "I listened to a B level comic and he had five comic's cliches in the two minutes." See hack.

comic’s comic

Comics other comics most admire and emulate. "Stephen Wright is definitely a comic's comic." See comic and comedian.

common knowledge

(1) Information generally shared by most people. (2) information available within an immediate environment. (3) As related to stand-up comedy, the information within jokes the audience must be familiar to get the jokes. "Sometimes a joke setup is already in the audience's minds as common knowledge." See inside joke.

compere

Pronounced [kom]+[pair] British term for Master or Mistress of Ceremonies, MC, and emcee. "In the pub Dog and Pony there was an open mic upstairs run by the compere." See Emcee, host, Master or Mistress of Ceremonies, and MC.

Connector

Joke structure mechanism at the center of all comedy, humor, and jokes defined as 1 thing with at least 2 interpretations. See ambiguity. (As related to Greg Dean's Joke Structure and Joke Prospector Writing System this is one of the five mechanisms between the setup and punchline which explain how jokes work.) Fully explained in Greg Dean's books "Step by Step to Stand-Up Comedy" and "How to Write Jokes" available on Amazon.com

cord

The electrical cable which is attached to the microphone with a jack and plugs into the venue sound equipment. See microphone and mic cord.

cotton mouth

Condition in which the salivary glands in your mouth don't make enough saliva due to preforming anxiety or smoking some fantastic weed. See dry mouth and stage fright.

crickets

After the delivery of a failed joke when the audience is so quiet one could imagine hearing crickets. e.g. "At the end of my joke, there was nothing but crickets." See bomb, die, dog it, eat it, flop, suck, tank…

crowd work

When comedians ask questions of the audience then banter with the intent to find laughs. i.e. Questions: What's your name? or What do you do for a living? See comeback.

delivery

Style of intonation, inflection, pace, timing, and character ideocracies in the presenting comedy material. "Gary was a great writing and his delivery was flawless." See comedy timing.

die

Perform a comedy show that gets few or no laughs. "In my last show I didn't just die, I went through Dante's 9 Circles of Hell." See bomb, dying, dog it, crickets, eat it, flop, suck, tank…

dog it

Perform a comedy show that gets few or no laughs. See bomb, dying, die, crickets, eat it, flop, suck, tank…

double entendre

Word or phrase that is open to two interpretations, one of which is usually risqué or indecent. "Many of the joke on Whose Line Is It Anyway are sex laden double ententres." See joke, pun, wordplay.

double take

When a comedian looks at something, looks away, then is compelled to quickly look back to understand what was not comprehended with the first look which is followed by an expression shock, disbelief, or dismay. "Silent film stars took great pride in their abilities to master the double take to get laughs." See take.

double up

Performing in two comedy rooms or clubs in a single night. "I found two good open mics so tonight I'm going to double up."

downstage center

The location closest to the audience at the center of the stage. "Downstage center is where you should always find the mic and where you should leave it." See DSC.

dramedy

Any form of entertainment that balances the elements of drama and comedy, hence the made up word dramedy. "Bobby is starring on tv in another dramedy."

drop in

When a famous comedian unexpectedly enters a comedy club and immediately gets put on the stage, often with no restrictions on the amount of performing time, which pushes all of the comedians in that night's lineup to be bumped to a later time slot. "Robin would often drop in to the Comedy Store and do an hour or more." See bumped.

drop out

When comedians don't show up or cancel their appearance at a comedy room or club with little or no advance notice. "I let the club booker know that when he has a drop out to call me."

dry mouth

Condition in which the salivary glands in your mouth don't make enough saliva due to preforming anxiety or smoking some fantastic weed. "Take a glass of water with you on stage incase you get dry mouth." See cotton mouth and stage fright.

DSC

Abbreviation for the stage direction downstage center. I need to put DSC in this box to improve my SEO." See downstage center.

dying

How comedians feel when doing a comedy shows that get no or few laughs. "I'm dying up here." See die, crickets, eat it, flop, suck, dog it, tank…

eat it

To perform comedy shows that get no or few laughs. "At that really bad venue, did you eat it.?" See bomb, die, dying, crickets, flop, suck, tank, dog it …

eccentric

Funny people with a unique character or style that move outside of the norms even for comedians. "I can think of two eccentric comedians, they are Andy Kaufman and Jim Carey."

edgy

Comedy material dealing very hurtful subjects, yet are able to maintain a comedic tone that does not cross the hurt line into drama. "When Chris did an edgy routine about his molestation." See dark material and hurt line.

emcee

(1) Master or Mistress of Ceremonies, the person who runs shows and introduces the performers. (2) Stupid way to spell MC. "I was told that being an emcee at open mics is a great way to get stage time." See MC and host.

expectation

(1) Strong belief that something will continue, happen, or be the case in the future. (2) The desired result of joke setups. "Once the setup establishes the Target Assumption and the audience accepts it as true, then they will create an expectation." See 1st Story, 2nd Story, and surprise.

expected interpretation

In Greg Dean's joke structure, at the center of jokes is a mechanism the Connector, 1 Thing with 2 Interpretations, the expected interpretation of the Connector becomes the mechanism the Target Assumption, which is establish by the Setup to create misdirection. See unexpected interpretation, joke, Greg Dean's joke structure, Connector. and Target Assumption.

fall flat

Jokes, routines, or shows that get less of a response than expected. "When I don't engage the audience my shows fall flat." Do not see bomb, die, dying, crickets, flop, suck, tank, dog it …

feature

The second or middle comedian in the traditional three-comedian stand-up comedy show lineup. "I can now do a thirty minute show, so I'm booking myself as a feature." See opener, middle, and headliner.

fill in

With little notice to replace a comedian who has dropped out of a comedy show’s lineup. "I told the booker that I'll fill in whenever he has a drip out." See drop out.

flop

To perform comedy shows that get no or few laughs. "My open mic show last night was a real flop." See bomb, die, dying, crickets, eat it, suck, tank, dog it …

flop sweat

The monsoon of facial perspiration one secretes while bombing. "When I bomb I get a bad case of flop sweat." See bomb, die, dying, crickets, eat it, suck, tank, dog it …

gag

A joke or funny prank. "I just wrote a funny gag about my ex." See joke.

gag file

An organized collection of jokes and routines. "I've been compiling a gag file for over twenty years." See joke file.

gelotophobia

An extreme or irrational fear of being laughed at. "Gelotophobia is not the fear of Italian ice cream." See stage fright and performance anxiety.

get the light

The signal given to comedians that they only have one minute left or it’s time to end their shows and get off stage. "When you get the light, respect the light." See light and run the light.

gig

A show business job. "Your first paid gig will probably be for a comedy room." See avails, bookers, booking, and availability dates.

graph

Visual device or graph with dots on paper for evaluating the effectiveness of jokes to determine their proper placement within routines or routines within shows. "To know which were my best jokes I judged them on a graph." See ABCs and BCAs.

green room

Location in comedy venues where comedians gather before, during, and after their shows. "A green room is rarely green."

green room personality

Personality or manner comedians reveal when they are off stage or in the green room, which can be different from their on stage personality or manner. "She has bad green room personality because of the constant complaining."

groaner

(1) A joke, usually a pun, that causes the audience to groan. (2) Audience members who instead of laughing at the jokes, they groan, which can be contagious and start the entire audience groaning. "I started the show with only two groaners, pretty soon everyone was groaning at my jokes, how do I stop that?" See puns.

guest set or spot

Courtesy five-to-ten-minute shows offered by comedy clubs so accomplished comedians can audition live. "I called up a club in Omaha and asked for a guest set or spot and they gave me one on Saturday night."

hack

Definition: 1. Comics who perform overused and cliché topics and jokes with overacted delivery without relating to the audience. 2. In comedy, a "hack" refers to a comedian who performs overused, clichéd material with an exaggerated delivery, often lacking originality and failing to connect meaningfully with the audience. See comic's cliches.

Example Sentences: 1. Dave is a hack because he uses all of the comic's cliches in his show. 2. The audience quickly lost interest when they realized the comedian was just a hack, relying on tired, overused jokes and exaggerated delivery.

Etymology: The term "hack" in its derogatory sense originates from the word "hackney," which in the 16th century referred to a horse used for ordinary riding, often overworked and worn out. By the 18th century, "hack" began to be used more broadly to describe a person who does dull or routine work, particularly a writer producing unoriginal or formulaic content.

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hacky

Definition: 1. Overused topics, premises, and jokes filled with comic’s clichés. 2. Performance of hack material with obvious joke deliver where you can hear a drum rim shot. See comic's cliches and hack.

Example Sentences: 1. The material Bobby used couldn't be more hacky. 2. The comedian's performance was so hacky, with every joke being a tired stereotype we've all heard a hundred times before.

Etymology: The term "hacky" derives from "hack," which has been used since the mid-20th century in comedy to describe unoriginal and stale performances. "Hacky" emerged as an adjective to describe anything related to or characteristic of a "hack" comedian, particularly in the latter half of the 20th century as the stand-up comedy scene became more critical of unoriginal material.

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hammock

Definition: 1. The technique of placing weak or new stand up comedy material between two strong jokes or routines. 2. In comedy, a "hammock" refers to the placement of a weaker or experimental joke between two stronger, well-established jokes in a routine. See BCAs and sandwich.

Example Sentences: 1. I'll open with my B material, then hammock my new bit, and close with my A stuff. 2. The comedian smartly used a hammock strategy, sandwiching his new joke between two proven punchlines to keep the audience engaged.

Etymology: The term "hammock" in this context comes from the idea of "supporting" or "suspending" something. In comedy, it likely began to be used in the late 20th century as a metaphor for the practice of balancing weaker jokes (the hammock) between two stronger ones (the support beams).

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headliner

Definition: 1. The third and last comedian in a traditional stand-up comedy show lineup who has a following and famous enough to attract audience members to fill comedy clubs and does forty-five to an hour performance to close the shows. 2. In comedy, a "headliner" is the main act of a comedy show, typically the most well-known or experienced comedian, who performs the final and longest set of the night, usually after the opening acts. See opener, middle, and closer.

Example Sentences: 1. It took me fifteen years on the road to get enough national exposure to be a headliner. 2. The crowd was excited for the headliner, who had a reputation for delivering a killer set every time.

Etymology: The term "headliner" originated from the early 20th century in the entertainment industry, where the top-billed act or performer was listed in large type at the top of the show's promotional material, known as the "headline." In comedy, the term came into common use in the mid-20th century as stand-up comedy became a more established form of entertainment.

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heckler

Definition: 1. Audience members, usually drunk or high, who talk out loud or make comments and interrupt comedy shows and the comedian's rhythm. 2. A mental social disease. See heckler line.

Example Sentences: 1. Did you hear Kip crush that heckler with 'Out of millions of sperm you the quickest'? 2. The comedian expertly handled the heckler, turning their rude comments into a source of even bigger laughs.

Etymology: The term "heckler" dates back to the late 19th century, originally referring to textile workers who heckled or interrupted speakers at political events with sharp questions or comments. By the early 20th century, the term was adopted in the entertainment industry, particularly in stand-up comedy, to describe audience members who disrupt performances.

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heckler line

Definition: 1. Insult jokes comedians write, collect, and memorize to use on different kinds of hecklers to get them to shut up. 2. A "heckler line" is a pre-prepared, witty response used by comedians to shut down or manage a heckler during a performance, often turning the interruption into a comedic moment that enhances the show. See insult, comeback, heckler, put down.

Example Sentences: 1. Now I know why some animals eat their young. 2. When the audience member wouldn't stop yelling, the comedian delivered a perfect heckler line that had the entire crowd laughing and the heckler silenced.

Etymology: The concept of a "heckler line" emerged in the mid-20th century as stand-up comedy became more prominent, and comedians needed quick, sharp retorts to handle interruptions from hecklers.

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host

Definition: 1. A less formal term for Master or Mistress of Ceremonies, MC, and emcee. 2. In comedy, a "host" (also known as an emcee or MC) is the comedian responsible for opening the show, introducing the other performers, keeping the energy up between acts, and often performing their own material throughout the night. See compere, Emcee, Master or Mistress of Ceremonies, and MC.

Example Sentences: 1. I'm going to be the host at my own open mic. 2. The host warmed up the crowd with some sharp jokes before introducing the first act of the night.

Etymology: The term "host" has its origins in the Latin word hospes, meaning "guest" or "host," and has been used in English since the late Middle Ages to describe someone who receives or entertains guests. In the context of comedy, the term "host" started to be used in the 20th century as stand-up comedy clubs and shows became more formalized.

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housekeeping

Definition: 1. The duties of the MC to make announcements, promote future shows, recognize birthdays, point out exits and restrooms, calm hecklers, sell merchandise, run raffles, give curtain calls, end shows, and help empty the rooms. 2. In comedy, "housekeeping" refers to the initial announcements or remarks made by a comedian or host at the beginning of a show, which often include reminders about venue rules, upcoming events, and general information to ensure the show runs smoothly. See MC and host.

Example Sentences: 1. Before starting a show the MC must first do some housekeeping by telling the audience where the exits and restrooms are located. 2. Before getting into his routine, the comedian handled the housekeeping by reminding everyone to silence their phones and tip the waitstaff.

Etymology: The term "housekeeping" originates from the domestic practice of maintaining and organizing a home, dating back to the late Middle Ages. In the context of comedy and live performances, "housekeeping" was adapted in the late 20th century to describe the necessary but mundane announcements or instructions given to the audience before the main entertainment begins.

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hurry a joke

Definition: 1. Communicating a joke to an audience faster than they can comprehend the Setup's relationship to the Punchline, which can diminish or kill the laugh. 2. To "hurry a joke" in comedy means to deliver the punchline too quickly, without allowing the setup to build properly, often resulting in the joke falling flat or not achieving its full comedic potential. See rush a joke and processing.

Example Sentences: 1. I'm afraid I'll hurry a joke because I don't trust it will get a laugh. 2. The comedian hurried the joke, missing the perfect pause before the punchline, and the audience didn't react as strongly as they might have.

Etymology: The phrase "hurry a joke" likely developed within the stand-up comedy scene in the mid-20th century as a way to describe a common mistake made by comedians.

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hurt line

Definition: 1. Subjective psychological tipping point when the pain within the comedy becomes real and turns mood into drama. 2. A "hurt line" is a sharp, cutting remark or joke delivered by a comedian, often in response to a heckler or as part of their act, intended to sting or embarrass the target of the joke. See dramedy.

Example Sentences: 1. When Mario kicked the imaginary dog, it still crossed the hurt line because he became a person who would kick a dog. 2. When the heckler kept interrupting, the comedian fired back with a hurt line that left the room in stunned silence before the laughter erupted.

Etymology: The term "hurt line" likely emerged in the late 20th century within the stand-up comedy scene, where quick-witted responses to hecklers or biting remarks became a hallmark of skilled comedians.

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impressions

Acting out an impersonation of recognizable celebrities usually for comic effect or political satire. "Alec did some of the best impressions of Donald Trump on SNL." See impersonations.

improv

Abbreviation for improvisation. See ad-lib.

Improv Comedy Club

An "A" List Comedy Club with franchises around the US. "I saw my friend Dana at the Improv Comedy Club." See Improvisation Comedy Club

improvisation

(1) The activity of making or doing something not planned beforehand, often shortened to improv. (2) As related to comedy, it's the spontaneous creation of bits and sketches with a troop improvisors who know and practice the fundamental techniques and games of improvising. "Skip and I used to perform improvisation shows at the Ren. Faire." See improv.

Improvisation Comedy Club

An "A" List comedy club with franchises around the US often referred to as Thee Improv. "I performed at the Improvisation Comedy Club back when they still showcased singers." See Improv Comedy Club.

inside joke

Humor based on common knowledge information only known by a select institutions, groups, or people. "Andy did the ultimate inside joke that only two people got." See common knowledge.

intro

Prewritten announcement said by an MC, often comical, about comedians, performers, and presenters as they come to the stage or podium. Abbreviation for introduction. "The best intro is usually a funny intro." See introduction.

introduction

Prewritten announcement said by an MC, often comical, about comedians, performers, and presenters as they come to the stage or podium. "MCs prefer to give a funny introduction as it makes him and the guest look good." as it help See intro.

joke

(1) A single unit of humor. (2) A device for expressing humor that employs two sections. For a one-liner joke, it's Setup and Punchline, linked by the 5 mechanism the Connector: 1 thing with 2 interpretations. Section One / Setup establishes or contains a Target Assumption, the expected meaning of the Connector, which creates a false expectation. Section Two / Punchline communicates a Reinterpretation, the unexpected interpretation of the Connector, which makes Section 1 / Setup’s expected interpretation wrong, shattering the Target Assumption. (Definition by Greg Dean.) See joke structure and paraprosdokian.

joke diagram

Visual device created by Greg Dean to illustrate his model of joke structure. "I studied the joke diagram to help me understand the 5 mechanisms of joke structure." See joke, joke structure, storytelling joke structure, Joke Prospector Writing System.

joke file

Jokes collected, organized, and stored on index cards or on a computer program. "You need to develop a joke file because it's best to keep all of your material in one place." See gag file.

Joke Map

The first part of Greg Dean’s Joke Prospector Writing System, which starts with a topic, creates a punch-premise, setup-premise, and concludes with writing a series of joke setups. "The Joke Map helped me to define my topic, punch-premise, setup-premise, and then from there write a series of setups." See Joke Prospector Writing System, Joke Mine, joke structure.

Joke Mine

The second part of the Greg Dean’s Joke Prospector Writing System which begins with setups from the Joke Map, and then Joke Mine explains the process of using the joke 5 joke mechanisms of Target Assumption, Connector, and Reinterpretation to write punchlines for those setups. "The Joke Mine taught me how to use the 5 mechanisms of joke structure to write a punchline for any setup." See Joke Prospector Writing System, Joke Map, joke structure.

joke premise

(1) The message of jokes and routines. (2) Statement with a negative opinion about a subject from which to write jokes or routines. (Greg Dean definition.) "The joke premise helps me focus on what I'm going to make jokes about and what position I'm taking." See comedy premise, premise, punch-premise, routine premise, and setup-premise.

Joke Prospector Writing System

A joke writing system invented by Greg Dean consisting of the two-part combination of the Joke Map and the Joke Mine to teach a step-by-step process of writing one-liners. (As related to teaching comedy, it's the only joke writing system that begin with a topic and concludes with students writing one-liner jokes.) "The Joke Prospector Writing System is the only system that actually taught me, step by step, how to write jokes." See joke, joke structure, and one-liners.

joke structure

(1) Often referred to as setup, punchline, and sometimes tag. "Comedians should read the book Step by Step to Stand-Up Comedy if they really want to understand joke structure." See setup, punchline, and joke, Greg Dean's joke structure, and 5 joke mechanisms.

joke structure by Greg Dean

Model of Joke Structure by Greg Dean demonstrates the two sections of jokes, setup and punchline, which are linked by the 5 mechanisms of 1st Story, Target Assumption, Connector, Reinterpretation, and 2nd Story are joke structure. "After learning joke structure by Greg Dean, I could identify where my jokes were, then fix them, and also write new jokes at will." See 1st Story, 2nd Story, 5 joke mechanisms, Connector, joke, Reinterpretation, and Target Assumption.

joke writing

Definition: the action of crafting humorous expressions.

Example Sentence: After bombing at his last open mic, Ronald signed up for a stand-up comedy class to improve his joke writing skills.

Colloquial Usage: joke writing is a broad term that includes the creation of humor in the mind, improvisationally, crafted on paper or screen, pitched, rewriting existing or public domain, and punching up comedy scripts or routines.

Etymology: Joke derives from Latin "iocus" meaning jest, sport, past time. Writing derives from Old English "writan" which means to "score, outline or draw the figure of."

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jokey

(1) Obvious or cliche jokes. (2) Obvious or cliche performance of obvious or cliche jokes. "Jesse's routine doesn't sound like natural speaking, it's written way too jokey." See hack.

kick ass

(1) Shows when the audience laughs loud and often. (2) Intent to make an audience laugh loud and often. i.e. "At the comedy show, let's kick ass." See destroy, crush, and kill.

kill

When comedians have done a performance when the audience continuously laughs through the entire show. "My parents are in the house so I really want to kill." See destroy, crush, kick ass.

kill a laugh

(1) Speaking or doing actions after delivering a joke that causes audiences to not laugh or stop laughing. (2) Mistakes in wording, timing, or communication that makes the joke unclear, incomprehensible or inhibits the process of getting it. "Jake needs to stop talking after his punchlines, it's the easiest way to kill a laugh." See pause, break, reveal and step on laughs.

killed

When comedians have had an audience laughing through an entire show. "Tonight was the best show, I killed the audience." See destroy, crush, kick ass, and kill.

laser beam

Topics, premises, routines, jokes, or characters that sets off a public controversy. "Dave can take a laser beam and turn it around to create a comedy routine."

laughs per minute

Measurement for counting the number of laughs in routines or shows. "Sue finally got her show to the professional level of 5 laughs per minute." See LPMs and routines.

light, the

Signal to comedians their performing time is up or that they have 1-minute left before they must leave the stage. "When you get the light, respect it if you want to return to this club." See get the light, red light, open mics, and respect the light.

lineup

List of the order of comedians and the time each is slotted to perform in a show. "As a paid regular, I only have to call to find out where I'm at on the lineup."

lottery

At comedy clubs, rooms, and open mics where the lineup is determined by pulling names out of a hat or bucket. "At the Comedy Spittoon, it doesn't matter when you get there, you'll only get to perform if they pull you name from the lottery bucket." See open mics and open micers.

LPMs

An abbreviation for laughs per minute. "I've set the goal of having 5 LMPs for all of my routines." See laughs per minute and routines.

material conflicts

When comedians in the same comedy show lineup have similar topics, premises, or jokes.

MC

  1. Persons who introduce performers in a lineup.
  2. Abbreviation for Master or Mistress of Ceremonies. See compere, emcee, and host.

merch

Abbreviation for merchandise, the souvenirs comedians sell after the show, such as personalized t-shirts, caps, posters, and CDs of their performances to boost the amount of money they make per show. "I set up a table in the lobby to sell my merch."

merchandise

(1) Long for merch. (2) The personalized comedy club souvenirs sold in the lobby to augment the business's income, such as t-shirts, caps, posters, and the like. "In the lobby there's a display of merchandise for this club." See merch.

meta joke

Jokes that make fun of other common knowledge jokes or familiar joke templates. i.e. Template: "A man walks into a bar..." Meta joke: "A dyslexic man walks into a bra." See common knowledge.

mic

Abbreviation for microphone. (Pronounces mike.) See microphone.

mic cord

Electrical cable plugged into the microphone with a jack and attached on the other end to the venue sound equipment. See microphone and PA.

mic stand

Height-adjustable pole with a stabilizing base for holding microphones.

mic technique

Most effective ways of holding and moving the microphone, stand, and cord to enhance communication and smoothly get performers on and off stage.

microphone

(1) Phallus shaped device to enhance the volume of voices. (2) Long for mic. See cardioid, omnidirectional, wireless, and PA.

middle

Second comedian in the traditional three-comedian stand-up comedy show lineup. See feature, opener, headliner, and classic clubs.

mike

Pronunciation of mic or a word that is not a word if it's not a proper noun.

monologist

Solo comedian who does the stand-up comedy style of talking entirely from Narrator POV to the audience without acting out any scenes. See 3 POVs, monologue, and Narrator POV.

monologue

Stand-up comedy style with a solo comedian talking entirely from Narrator POV to the audience without acting out scenes. See 3 POVs, Narrator POV and monologist.

Narrator POV

One of three perceptual position or roles within Greg Dean's Anatomy of Funny Storytelling achieved when the comedian talks directly to the audience to do jokes, crowd work, and set up scenes in stand-up comedy shows. See act outs, Anatomy of Funny Storytelling, Character POV, Self POV, and scene work.

Neurolinguistic Programming

(1) The study and mapping of the structure of the human mind. (2) Practice of understanding how people organize their thinking, feeling, language and behaviors to produce the results they do. NLP provides people with a methodology to model outstanding performances achieved by geniuses and leaders in their field. NLP is also used for personal development and for success in business founded by John Grinder and Richard Bandler.

NLP

Abbreviation for Neurolinguistic Programming. The study and mapping of the structure of the human mind.

on the road

Continually work comedy gigs outside one’s city of residence. See road comic.

one-liner timing

After delivering a punchline, waiting for the laugh to peak, then pausing for the count of 2, 3, 4, then starting the next setup. See tag timing.

one-liners

Short jokes using a setup and a punchline. (Called one-liners, yet most contain two sentences.) See jokes, joke structure, punchlines and setup.

one-nighter

One stand-up comedy show for only one night.

open mic

Any venue where anyone can get on stage and do a few minutes of stand-up comedy. See comedy open mic.

open micer

Aspiring comedians who frequently do open mics. (Pronounced miker.) See open mic and Step by Step to Stand-Up Comedy.

open slot

An unfilled spot in a comedy show lineup. See lineup and drop outs.

opener

First comedian in the traditional three-comedian stand-up comedy show lineup. (Sometimes the opener is also the MC.) See feature, opener-MC, headliner, classic clubs, and MC.

opener-MC

First of three comedians in a traditional comedy club lineup who also serves as the show's host. See feature, opener, headliner, classic clubs, and MC.

opening line

(1) First joke of stand-up comedy shows to get a laugh in the first fifteen seconds. (2) Performing technique used by comedians who design jokes specially to start routines and shows with a solid laugh. See laughs per minute and BCAs.

oxymoron

A figure of speech in which apparently contradictory terms appear in together, yet are true, which sometimes is an actual joke. "The first time I heard an oxymoron is when George Carlin said, 'Military intelligence.'" See jokes.

PA

(1) Abbreviation for personal appearance. (2) Abbreviation for public address as in sound system. See PA representation, representation, show business, and public address system.

PA representation

People in charge of booking and arranging personal appearance work for comedians. See PA and representation.

PA system

Electronic system comprising microphones, amplifiers, loudspeakers, and related equipment to increases the volume for human voices and musical instruments. "As the MC I always get to the venue early to check out the PA system." See PA.

paid regular

Comedians selected, by owners or management of comedy clubs, to frequently perform and get paid a small stipend for every show. See regular.

paraprosdokian

Definition: a figure of speech in which the latter part of a sentence or phrase is surprising or unexpected in a way that causes the reader or listener to reframe or reinterpret the first part. Example Sentence: An erudite form of explication the foundational components of a humorous statement is a paraprosdokian. Or a fancy way of saying joke is paraprosdokian.

pause

(1) When comedians stop talking after a punchline to allow time for the audience to laugh. (2) Silence during a performance to enhance tension or allow the audience to think. See comedy timing and one-liner timing.

POV

Abbreviation for point of view. See 3 POVs, POVs, and Anatomy of Funny Storytelling, and storytelling joke structure.

POV shifts

(1) When a comedian is telling a story, the switching from one POV to another POV as a means of staging and portraying the circumstances of a scene and acting all of the roles or perceptual positions. (2) Changing from one POV to different POV to create joke structure. See 3 POVs, POVs, Narrator POV, Self POV, Character POV, Anatomy of Funny Storytelling, joke structure, scene work, and storytelling joke structure.

POVs

Abbreviation for points of view. e.g. Foundational elements of the performance roles of stand-up comedy storytelling with scene work as defined in Greg Dean's Anatomy of Funny Storytelling. See Narrator POV, Self POV, Character POV. storytelling joke structure, and POV shifts.

premise

(1) Generally referred to as an idea for a joke or routine, message of a routine, nugget of truth, any idea, topic, germ of a joke or routine, presents a common understanding, etc. (2) Greg Dean's definition: Statement with a negative opinion about a subject. See punch-premise.

preview

Synonymous with showcase. "I get to preview my show at the Comedy Story." See showcase and showcase clubs.

prop comics

Perform their jokes, characters, and stunts using gadgets and props. i.e. Gallagher or Carrot Top. See variety.

public domain

(1) Creative material not protected by intellectual property laws. (2) As related to stand-up comedy, all Topics and Premises are not owned by anyone, just as with jokes published in a book that are not attributed to a known comedian, living or dead, belong to the public. Individual jokes has a natural copyright for the creator, yet it's nearly impossible to legally enforce as it required proof the unauthorized use has caused financial damages.

Punch

(1) Short for punchline. (2) Desired shock a punchline should have on an audience to make them laugh. See punchline, joke, joke structure, reveal, reinterpretation, and surprise.

punch down

To make jokes about people and institutions with lower status than the comedian. See punch up.

punch up

(1) Writing more jokes and tags into an already written and performed routines or shows. (2) To make jokes about people and institutions with high status than the comedian. See punch down, and routines.

punch-premise

Step in the Joke Map that requires the writer to construct a statement with a negative opinion about a subject. See Joke Map, Joke Mine, joke structure, premise, and Joke Prospector Writing System.

punchline

(1) Second of two parts of one-liner jokes meant to get a laugh. (2) As related to Greg Dean's joke structure, the second part of jokes that express the Reinterpretation or unexpected meaning of the Connector. Long for Punch. "The joke got a bigger laugh when I shortened the punchline." See joke, joke structure. punch, and setup.

quip

Antiquated term for a witty or cleaver often taunting remark, often quip is replace by the term wit. See insult and put down.

read on material

When comedians perform their jokes and judge the audience's responses of laughter, groans, boos, silence, applause, etc. to know how to adjust their script to get big consistent laughs.

real audience

When the people at a comedy room or club are actual customers and not just comedians waiting for their turn to get on stage. See open mics.

red light

Final and strongest signal telling comedians to end their show immediately and get off stage. See light and respect the light.

regulars

Comedians who appear frequently at a particular comedy club often unpaid to get stage time and build material. See paid regular.

Rehearsal Process

Greg Dean's method of turning jokes or routines into scenes, by acting out the scenes using Narrator, Self, and Character POVs with the result of remembering in pictures, sounds, and feelings, so the comedians can tell the story of the material, rather than memorizing just the words, which must be recalled in self-talk. See 3 POVs, Narrator POV, Self POV, Character POV, act outs, and scene work. (Thorough explanation in Greg Dean's books "Step by Step to Stand-Up Comedy" and "How to Remember Jokes Naturally," available on Amazon.com.

Reinterpretation

One of the five joke structure mechanisms which is the unexpected interpretation of the Connector, expressed by the punchline, that makes the Target Assumption’s expected interpretation wrong. See joke, joke structure. 5 joke mechanisms, Connector, Target Assumption, and surprise.

reinterpretations

In Greg Dean's Joke Prospector Writing System the step when several alternative interpretations of the connector, other than the target assumption, are listed as ideas to be express in the punchline.

reveal

Specific information, often words, phrases, or actions, that communicate the Reinterpretation, which is best placed near or at the end of the Punchline. (Term coined by Greg Dean.) See Reinterpretation, Punchline, unexpected interpretation, surprise, and step on a laugh.

rhythm of three

Joke format when a Setup lists two positive items from the same category, then the Punchline reveals a third negative item that is compatible with the Setup’s two items, yet unexpected. i.e. "In America there many cult, the Manson Family, Heaven's Gate, Amway." or "As easy as A, B, 3." See rule of three, jokes, joke structure, joke formats.

riff

A technique within crowd work when comedians take an idea from an audience member's response and embellishes it or furthers the story to discover the humor. "I was able to riff off the idea of a guy going to janitor school." See crowd work, improv, and ad-libs.

rim shot

Two hits on a drum and one hit of a cymbal to indicate the punchline of an obvious joke.

rip

To attack, insult, or verbally tear into an audience member or comic who has heckled or otherwise deserves the abuse. See heckler, insult, heckler lines.

road agent or manager

Person in charge of booking and arranging personal appearances work in comedy clubs outside the comedian's city of residence, See PA representation and personal appearance.

road comic

Professional comedians who travel to do comedy club work outside their residential city to make a living doing stand-up comedy. "All I've ever wanted to be was a road comic." See road, road warrior, road dog. road work.

road work

Comedy club gigs when comedians must travel outside of their residential city. See road, road comics.

road, the

Metaphorically refers to continuous traveling from comedy gig to comedy gig and not returning to one's place of residence, hence being on the road. See road comics,

roast

Jokes used to playfully insult and embarrass specific people and celebrities, often as a means of honoring them. See Roast Battle and insult.

roll

Delivering a string of jokes and tags that cause the audience to continuously laugh for an extended period. i.e. "I crushed it because I got the audience on a roll." See tags and tag timing.

routine

A series of jokes, act outs, and tags all on the same topic, premise, or in a funny story delivered by comedians. See joke, act outs, tags, and storytelling.

routine premise

Statement with a negative opinion about a subject from which to write jokes and routines. See comedy premise, premise, jokes, and routines.

rule of three

Joke format when a Setup lists two positive items from the same category, then the Punchline reveals a third negative item that is compatible with the Setup’s two items, yet unexpected. i.e. "A competent nurse needs to know all about drugs, like the dosages, the side effects, the street value." or "As easy as 1, 2, C." See rhythm of three, jokes, joke structure, joke formats.

run the light

When comedians continue to perform on stage after being given the light that signals their allotted time slot is over, which an result with the MC coming on stage and forcing the comedian off. See light, red light, and banned.

running gag

Jokes recurring two or more times within the same routine or show. See callback.

rush a joke

Communicating a joke to an audience faster than they can comprehend the Setup's relationship to the Punchline, which diminishes or kills the laugh. See hurry a joke and processing.

sandwich

Technique of placing weaker material or improvisation between two strong jokes or routines. See hammocking.

scene work

(1) Stand-up comedy routine which includes a scene that is acted out. (2) When comedians, from Narrator POV, set up scenes, and then act out the scenes using Self POVs and Character POVs to portray all the roles for comic effect. "I think I'll add scene work to my performing skills." See act outs, POVs, storytelling, Narrator POV, Self POV, and Character POV.

scream

The loudest and most powerful instant laugh comedians get from an audience. "I didn't expect to get a scream with that joke." See kill.

segue

Transitional sentences or phrases that lead joke to the next joke or routines to the next routine. See comic's cliches, hack, and routines.

Self POV

One of three perceptual position or roles within Greg Dean's Anatomy of Funny Storytelling achieved when comedians act out scenes and portray themselves. Not to be confused with Narrator POV which is not in scenes and only talks directly to the audience. See act outs, Anatomy of Funny Storytelling, Character POV, Narrator POV, POVs and scene work.

self talk

Internally talking to one’s self or inside voice produced by the Broca Area of the brain responsible for speech. (As related to Greg Dean's improper rehearsal, when comedians practice their jokes by saying only the words out loud over and over and over as a means of memorization, it gets coded in the Broca Area of the brain, so the only way to recall the jokes is to go into Self Talk and say the words of the jokes in your head, then immediately repeating those exact works to the audience as joke delivery.) See Rehearsal Process, improper rehearsal, and relationship with the audience.

set

(1) Stand-up comedy routines or shows of any length. (2) When comedians repeat their routines or shows with exactly the same words, body language, vocal tones, intents, inflictions, and emotions for every performance. See relationship with the audience, timing, and material interpretation.

set list

Bullet point reminders of the order of the jokes or routines to be done in a show written on paper, cell phone or hand. See show list and Rehearsal Process.

setup

(1) First of two parts of one-liner jokes designed to misdirect the audience to a false expectation. (2) As related to Greg Dean's joke structure, the part of jokes that establish the Target Assumption or expected meaning of the Connector. "I rewrote the setup so it would more clearly misdirect the audience." See Connector, joke, joke structure, and Target Assumption.

Setup-Premise

Step in the Joke Map that requires the writer to construct a statement opposite to that of the Punch-Premise using a positive opinion about a subject with the next step to write a series of setups that misdirect. See Joke Map, Joke Mine, joke structure, premise, Joke Prospector Writing System, and setups.

show list

Bullet point reminders of the order of the jokes or routines to be done in a show written on paper, cell phone or hand. See set list, routines, and rehearsal process.

showcase

(1) Stand-up comedy format with a series of comedians performing one after the other. (2) Special shows usually at major clubs for being seen by potential bookers, agents, or managers. (3) Shows for the purposes of giving students the experience of performing. See preview and stand-up comedy classes.

showcase clubs

Comedy clubs, rooms, and venues using a lineup of ten or more comedians in a row as the format for their shows. See traditional clubs.

shtick

(1) Yiddish for a comic scene or piece of business, often implying the use of a gimmicks or physical comedy. See joke or bit.

sight gag

(1) Yiddish for a comic scene or piece of business, often implying the use of a gimmicks or physical comedy. See joke or bit.

sign ups

Open mics that require performers to sign up in advance, then later a lottery determines the lineup of that night’s show. See lottery, bucket, and open mics.

smooth on and smooth off

Best practices for getting on stage and off stage to ensure well run shows. (Phrase coined by Jerry Seinfeld.) See entrance and exit.

spit take

While drinking a liquid, the comedian hears or sees something shocking or funny and reacts by uncontrollably spraying all the fluid out of his mouth, hence the spit take, preferable into someone else's face. See slapstick.

spotlights

Lamps projecting a narrow, intense beam of light directly onto a stage. "When I got on stage, the spotlights were so bright I couldn't see anything." See stage lights.

stage lights

Bank of lamps pointed to illuminate a stage. "At the open mic the stage lights were very dim." See spotlights.

stage time

(1) What comedians need in front of audiences to get experience and learn their craft. (2) Duration, in minutes, comedians get to perform at each specific show. i.e. "They're going to give me 5 minutes of stage time at the open mic."

stay in the bit

After a Punchline during the audience laughter, to stop talking and remain in the same emotion or state of mind as when the joke was delivered. To stay in the bit gives the audience permission and space to laugh and then keeps the momentum when it's time to deliver the next joke in the routine. See pause, break and timing. (Term coined by Jerry Seinfeld.)

Step by Step to Stand-Up Comedy

Book written by Greg Dean that lays out the fundamental skills, participles, and techniques of learning how to become a comedian. Also companion workbook series: 1. How to Write Jokes. 2. How to Improve Jokes and Routines. 3. How to Remember Jokes Naturally. 4. How to Be a Funny Performer. 5. How to Get the Experience to Be Funny. Available on Amazon.com

step on laughs

After delivering a Punchline, when comedians continue talking or taking any overt action that causes their audiences to stop laughing. See pause, break, jokes, kill a laugh, talk over laughs, Punchline, and reveal.

stool

The only traditional furniture on a stand up comedy club stage so the comedian can sit down while doing stand-up. See comedy clubs and traditional clubs.

story jokes

Long story jokes told from Narrator POV that ends with one punchline, more often told by people not comedians. See Narrator POV and jokes.

storytelling

(1) The vivid description of ideas, beliefs, personal experiences, and life-lessons through stories or narratives that evoke powerful emotions and insights. (2) As related to stand-up comedy and Greg Dean's Anatomy of Funny Storytelling, when comedians tell stories from Narrator POV to set up scenes, then shift from the Narrator POV to inside the scenes and act out the Self POVs and/or the Character POVs to expose the humor of the situations, characters, and conflicts. See POVs, scene work, storytelling joke structure, and stand-up comedy storytelling.

storytelling joke structure

Jokes in storytelling have the same structure as one-liners, yet they require more skills to present them which include scene work, space work, object work, situations, relationships, tenses, psychology, acting, and staging using the POVs of Narrator, Self, and Character. With one-liners the Setup, Punchline, and Tag are all performed only by the Narrator POV as there are no scenes acted out. Whereas storytelling has scenes which include Self and Character POVs, therefore the Setup, Punchline, and Tag can be disturbed between any of these 3 POVs. This distribution amongst the POVs is the difference between one-liner joke structure and storytelling joke structure. See storytelling. joke structure, POVs, and Anatomy of Funny Storytelling.

storytelling with scene work

(1) When comedians set up scenes, then act out all the roles. (2) As related to Anatomy of Funny Storytelling, when comedians tell a story from Narrator POV and set up a scene, then shifts from Narrator POV to be inside the scene to portray Self and/or Character POVs to express the humor based on the situation characters, and conflict. See scene work, storytelling, storytelling joke structure, and Anatomy of Funny Storytelling.

storytelling without scene work

Telling stories from Narrator POV only using one-liner jokes with the scenes explained as part of the narrative, but never physically acting out. See one-liners, comics, storytelling. joke structure, POVs, storytelling joke structure, and Anatomy of Funny Storytelling.

stretch

When MCs must continue to entertain an audience until some technical or logistical problem is solved. See MC and ad-lib.

surprise

Intended result of joke punchlines, which hopefully causes laughter. See Punchline and expectation.

tag

Additional short punchline immediately following a punchline or tag that does not require a new setup. i.e. "For Father's Day I took my father out. It only took seven shot. Tag: I could always out drink him. Tag: Even before he did mass." See jokes, joke structure, LPMs, and act outs.

tag line

British for tag. See tag, jokes, joke structure, LPMs, and act outs.

tailor

Interpreting or altering material to fit a unique performing situation and different audiences. "Since the audience mostly consists of cops I tailor the jokes so they could relate." See deregulate and Rehearsal Process.

take

Facial reaction used by comedians to express their feeling of the current situation. i.e. Jack Benny, Eddie Murphy, Chevy Chase... See mugging. double take, and spit take.

take a beat

Pause or break during a comedy show for the purposes of delivery and comic timing often between the Setup and Punchline or after a Punchline to let the audience laugh. See pause, break, jokes, step on a laugh, and comedy timing.

talk over laughs

After the delivery of a Punchline, when the comedian continuing to speak, instead of taking a pause, hence talking over or interrupting the audience's laughter. See step on laughs, kill a laugh, reveal and comedy timing.

talking head

Comics who memorize the words of their jokes and deliver them with no emotion or physical movement. See comic and Rehearsal Process.

Target

(1) Shortened version of Target Assumption. (2) The butt or subject of jokes. See joke, joke structure, misdirection, Target Assumption, 1s Story, and butt.

Target Assumption

One of the five joke structure mechanisms, the Target Assumption is the expected interpretation of the Connector, established by the Setup to misdirect the audience. See joke, joke structure. 5 joke mechanisms, Connector, Setup and expectation.

TCR

Abbreviation for Target Assumption, Connector, and Reinterpretation, hence TCR, as defined in Greg Dean's Joke Structure. See jokes, joke diagram, and Joke Prospector Writing System.

telegraphing

Causing the audience to guess the Punchline before it's delivered, which usually means the Setup has too much information or an acting choice that leads the audience prematurely to the idea of the punchline, hence telegraphing, rather than misdirecting them away from it. See joke structure and misdirection. (Submitted by Scotty Meltzer.)

throw away

To place little performing emphasis on jokes which are usually considered important.

time slot

Spot on comedy room or club lineups which designates the time and length of time comedians get to perform. See lineup, open mics, and regulars.

timing

(1) The tempo, rhythm developed between the comedian and the audience while preforming stand-up comedy. (2) Figuring out at home the length of time a routine or show will take. See comedy timing, relationship with the audience, and feedback loop.

topic

Large starting single idea about something wrong from which entire routines or shows are written. (Not to be confused with Premise which is a narrower idea stated as a negative opinion about a subject.) See routines, comedy voice, and joke writing.

topical jokes

Comedy material based on current events, cultural trends, fades, and politics usually done on late night talk shows and sketch shows. i.e. Saturday Night Live. See one-liners, political humor, and roast.

topper

Antiquated term referring to a joke building off a previous joke. See tag, joke, and capper.

traditional clubs

Professional stand-up comedy clubs and venues that use an MC and/or opener, feature or middle, and headliner comedians as the format for their shows. See showcase clubs.

triple up

To perform in three comedy clubs, rooms or open mics in one night. See double up, open mics, and stage time.

unexpected interpretation

In Greg Dean's joke structure, at the center of jokes is a mechanism the Connector, 1 Thing with 2 Interpretations, hence the unexpected interpretation of the Connector becomes the mechanism the Reinterpretation, which is then expressed in the Punchline to create surprise. See expected interpretation, joke, joke structure, Reinterpretation, Connector. and Target Assumption.

unpaid regular

Definition: Comedians who frequently perform at a particular showcase comedy club, but does not get paid because they are getting stage time and experience in front of live audiences. See regular, paid regular, and stage time.

Example Sentence: After months of performing at open mics, she finally became an unpaid regular at the comedy club.

Etymology: This term likely originated in the mid-20th century, particularly in the stand-up comedy scene.

What to know how to become a comedian? Read these blogs

variety performer

Comedians who do comedy along with other performing skills, such as juggling, guitar, magic, ventriloquism, props, etc.

venue

Any space, room, stage, or club used for presenting stand-up comedy shows.

walking ovation

Applause while the audience leaving the room or club. "They audience was in such a hurry to leave they gave me a walking ovation." See applause break and standing ovation.

warm up

(1) Before a show when comedians prepare themselves to go on stage by doing light physical exercise, ritual of play, going through the set order, making up jokes for their entrance, or generally warm up, etc. (2) At the beginning of shows, when comedians work the crowd with material, requests for applause, crowd work, etc. to unify the audience into a laughing force in preparation for the next comedian or host of a tv show.

week gigs

Comedy jobs with performances on Thursday through Sunday nights. See traditional clubs and weekend gigs.

weekend gigs

Comedy club jobs performed on Friday, Saturday, and sometimes Sunday nights. See traditional clubs and week gigs.

wind down

Definition: After shows when comedians come down from the excitement and stress of performing by getting something to eat, drinking or using drugs, or socializing until they are calm or numb enough to be able to sleep, hence wind down.

Example Sentence: After his routine, he likes to wind down with friends before going home.

Etymology: The term “wind down” originated from the mechanical age, where it was used to describe the process of gradually slowing or stopping a machine by releasing tension from a spring or winding mechanism.

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wordplay

Definition: Verbal wit based on the meanings and ambiguities of words. See also ambiguity, joke, pun, double entendre, and connector.

Example sentence:  Her stand-up routine was filled with clever wordplay, leaving the audience in stitches with her witty puns and double entendres.

Etymology: Old English "word" and Old English plegan. Wordplay has been in use since circa 1855.

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X rated material

Definition: x rated material are those jokes or routines with foul language, graphic sex, toilet, and mucus references which can be very offensive to average sensibilities that cannot be done on network tv. See blue material, caca, and toilet material.

Example Sentence: The comedian’s late-night show featured a mix of clever wordplay and x-rated material, ensuring that the audience was both entertained and occasionally shocked.

Etymology: The “X” rating was introduced by the Motion Picture Association of America (MPAA) in 1968 and indicated that the material was for an adult audience only.

Check out this great blog article: Step by Step to Stand-Up Comedy: How to Become a Comedian

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